Dorothy Yaqub

Tucked away in a corner of Chalmers Library is a treasure trove of photographs, documents, art and miscellaneous memorabilia that offer a glimpse into Kenyon’s institutional past. Lend Us To Our High Endeavor

Would You Trust Me? While the play’s characters may have struggled to answer this titular question, the audience certainly didn’t. On the evenings of March 22 and 23 in the Community Foundation Theater, the audience put its trust in StageFemmes and was not disappointed. Under the deft guidance of director Juniper Gibbs ’25, the cast delivered a seamless and gripping performance.

On Friday, Beyoncé released her highly anticipated eighth studio album, Cowboy Carter. Visiting Assistant Professor of Art History Dani Ezor, who specializes in 18th-century Western art with a focus on race and class and is currently teaching ARHS 291: Special Topic: Beyoncé’s Art History, spoke to the Collegian about the new album’s content, cultural significance and historical influences.

Share this article It was quiet in The Annex, located in downtown Mount Vernon, on Saturday afternoon as Delia Preston ’26 demonstrated how to sign each letter in the ASL alphabet. Participants were taught the basics of ASL before creating art projects that would help them visualize their signing. The ASL workshop continued The Gund’s accessibility programming, as the event followed the Christine Sun Kim: Oh Me Oh My exhibit from last semester, which explored the visual representation and significance of sound from her perspective as a member of the Deaf community.

If you walk into the lower Horn this week, you will be surrounded by band equipment, an army of blank whiteboards and an array of visual artwork. Paintings, photographs and prints cover the gallery’s scuffed walls. You might circle the displays and sculptures in the center of the room, mesmerized by the complex detailing.

On Sunday, Kenyon hosted a staged reading of Henrik Ibsen's An Enemy of the People followed by a discussion panel. Bryan Doerries '98 adapted and directed the play.

Titus Andronicus is widely considered to be Shakespeare’s worst play. For centuries, critics have lambasted its gratuitous violence, uneven pacing and repetitive language. In fact, Titus

Lunch Bunch, written by Adrian Einspanier, directed by Isla Hamblett ’24 and assistant directed by Sam Phillips ’26, opened on Thursday at 8 p.m. in the Bolton Theater. “Basically, it’s about existential dread,” public defender Greg, played by Jack Teitelbaum ’24, explains to his colleague. “Control over consciousness cannot be institutionalized.” In a nutshell, this is

“We are in for a fruitful evening,” emcee Naya Jayaram ’26 announced in a deadpan voice, in character as “George W. Butch.” The crowd erupted into cheers. They huddled around a runway in the middle of Horn Gallery on Friday night, drawn by the allure of the fashionable pizzazz, riotous queer music and gender anarchy that drag shows often promise.

The hum of voices could be heard even in the lobby of The Gund on Friday, a noise that grew to a roar as visitors made their way up into the deceptively empty first room in which the heads of artist Nancy Spero’s Maypole: Take No Prisoners continue to sway. This illusion dissolved upon turning the corner into the adjourning room, the artworks becoming obscured by the floods of visitors that shifted between them at the opening of the Annual Senior Student Exhibition.