Drew Tinnin is a journalist at SlashFilm and Dread Central Media, LLC. He covers a range of topics including TV and movies, with a particular focus on reviews and franchises like Star Wars and Paramount+. Drew's insights into the film industry highlight the often-overlooked aspects of creature features and their significance in contemporary cinema.
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Drew Tinnin's coverage is focused on entertainment news, with a specific emphasis on horror films and movie reviews. Based on the articles provided, he appears to be interested in exploring connections between different movies and their influences, as well as providing reviews of various films.
If you have insights related to the influences behind popular movies or can provide compelling analyses of horror films (especially those with holiday themes), Drew may be receptive to your pitches. Additionally, if you are involved in the film industry or can offer unique perspectives that align with his content focus, it could increase your chances of successfully reaching out to him.
Given the absence of geographic focus in his article titles and coverage attributes, it seems that Drew covers entertainment news from a broad perspective without specific regional limitations.
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'T.I.M.' is a fun if slightly predictable thriller that updates the stalker boyfriend and transforms him into a murderous android.
By: Drew Tinnin
From 'Event Horizon' to 'Hellraiser III: Hell On Earth,' here is every scary release to be added to Paramount+ this month.
By: Drew Tinnin
'Restore Point' Review: A Richly Satisfying Tale of Science Fiction Noir . Be sure and check out this new entry in socially conscious sci-fi.
Remember 'Phantoms'? Remember Ben Affleck in 'Phantoms'? Drew Tinnin explains why this underrated creature feature needs more love in 2024.
In Izzy Lee’s debut novella, I Can See Your Lies, generational trauma runs deep. After helming several horror short films that have all made the rounds at various genre festivals around the country, Lee has crafted a taut and well-paced ghost story about mothers and the secrets they keep. It’s also a lightning-quick page-turner that should resonate with anyone who’s ever been trapped in a toxic relationship or fallen into a seemingly inescapable rut in life. As a novelist, Lee is here to tell you that anything is fixable as long as you have somewhere to hide for a weekend getaway and, most importantly, plenty of wine to keep you company.
By: Drew Tinnin
Before its world premiere at SXSW, little was known about the new experimental genre offering Azrael from notable horror filmmaker E.L. Katz ( Cheap Thrills, The Haunting of Bly Manor ). By the time the credits rolled, there were still more questions than answers with plenty left to contemplate and decipher. And that’s kind of the point.
By: Drew Tinnin
'Arcadian' SXSW 2024 Review: A Deeply Satisfying Creature Feature . Nic Cage battles mutated monsters with family in tow.
By: Drew Tinnin
Shockingly, Alex Garland's polarizing new film offers up a surprising level of catharsis hidden inside a riveting, action-heavy war movie.
By: Drew Tinnin
Greg Jardin’s debut feature It’s What’s Inside operates as a millennial update (or deconstruction) of an Agatha Christie novel. That conceit has good timing, it turns out, hot on the heels of Glass Onion: A Knives Out Mystery and the moderate indie success of Halina Reijn’s Bodies Bodies Bodies
By: Drew Tinnin
Forty years removed from the original classic, the idea of a new Ghostbusters sequel should still elicit some kind of excitement from the movie-going public at large. Granted, after the Statue of Liberty turns down Broadway to the sounds of Jackie Wilson’s “(Your Love Keeps Lifting Me) Higher and Higher” at the end of Ghostbusters II, maybe it was time to put the franchise back in the ghost trap for a while. Decades later, the unmade script for Ghostbusters III became the foundation for a beloved video game. Sadly, the threequel would have most likely seen Chris Farley fitting into the iconic jumpsuit.
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