Dylan Green is a Founder, Editor, and Writer at Hearing Things Co. They cover a range of topics including music, albums, artists, and specifically focus on hip hop and rap. Dylan's work has been featured in notable publications such as DJBooth, Yahoo Sports Canada, Vulture, and Pitchfork.
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Dylan Green's coverage primarily revolves around entertainment news, focusing heavily on music, rap, artists, albums, and songs. Based on the coverage attributes and themes covered in his articles, he is likely to be interested in pitches related to new album releases, artist spotlights or interviews with musicians.
Given that Dylan doesn't have a specific geographic focus but is based in Chicago and the United States at large, pitches should highlight relevance to these locations when applicable. For example, if pitching an event or artist tour dates in these areas would be relevant for him.
Consider offering exclusive content such as behind-the-scenes looks at album production or insights into the creative process of well-known musicians as this aligns with his coverage style.
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During a 2008 interview Prodigy of Mobb Deep was asked whether he feared death. Mortality nipped at P's heels on every verse he rapped , and few
Read Dylan Green’s review of the album.
De La Soul have long been the kings of hip-hop playfulness. Fun and mischief-making have been at the core of the trio's operation since the days they had fans counting the feathers on a Perdue chicken's ass.
By: Brandon Klyn, Rachel Haggard, Lynn Metz, Christopher Mwase, Tyler Smith, Dylan Green, Hannah Cooper
Abstract Malawi has 991,600 people living with HIV and has expanded access to annual HIV viral load testing to enhance care quality for clients.
The imperturbable New York rapper is back behind the boards for a lean, mean new album with endless quotables and only one guest.
Keem reflects on his journey with a semi-autobiographical new album, but his performances lack spark and his warring pop star and rapper sensibilities work against him.
Read Dylan Green’s review of the album.
The good songs are solid on Keef's new album, which demonstrates his accomplished production without the thrilling highs of his best recent releases.
The Atlanta artist treats rap, rock, and gospel like born bedfellows, and the intricacy of his amalgamations speaks to the depth of his grounding in all three genres.
We're witnessing the rapper’s journey from a provocative firestarter to a fiercely bitter heel. His latest pushes boundaries and tests patience.
