Elvis Mitchell

Domingo is up for a Golden Globe for his role as Divine G, an inmate serving time for a crime he didn’t commit and who finds new purpose in a prison theater group.

The veteran DP tries his hand at directing in the film adaptation of the 1955 novel by Juan Rulfo.

“Every song on [Bachelor No. 2 or, the Last Remains of the Dodo by Aimee Mann] is perfect. It's a perfect album from start to finish. It's just so insightful and so human and so unrelentingly honest. It's often heartbreaking, but then it's describing heartbreak in a way that is funny, or in a way that has a sense of humor.”

This week on The Treatment, Elvis welcomes Golden Globe nominee Colman Domingo who’s starring in the film Sing Sing. Then, cinematographer turned director Rodrigo Prieto stops by to talk about his first feature Pedro Páramo, based on the novel by Juan Rulfo. And on The Treat, writer Carrie Courogen talks about a singer-songwriter who didn’t play by the music industry’s rules.

Actor Jovan Adepo discusses his deep connection to John Coltrane and Johnny Hartman's 1963 lyric version of "Lush Life.”

Emmy and Oscar-winner Kate Winslet joins for a long conversation about her Lee Miller biopic, portraying PTSD, and continuing to challenge herself as an actor.

Director Walter Salles discusses his latest film ‘I’m Still Here’, set in 1970s Brazil during the military dictatorship.

Elvis chats with Oscar-nominated Aunjanue Ellis-Taylor, director Walter Salles, and director Pablo Larraín for The Treat.

Director Pablo Larraín shares his appreciation for the opera classic, ‘Madama Butterfly’.

Actress Aunjanue Ellis-Taylor discusses her emotionally restrained performances and her latest role in ‘Nickel Boys’, where she portrays a grandmother seeking justice for her grandson in the Jim Crow South.