Fiona Mountford is a journalist and theater critic, known for her work in The i Paper and The Telegraph. Her articles cover a range of theater productions, providing insightful reviews and commentary on performances in the UK. Fiona's expertise and passion for theater shine through in her writing, offering readers a unique perspective on the world of live entertainment.
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London, United Kingdom (Local)
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Fiona Mountford predominantly covers theater and entertainment news with a focus on play reviews, actors, musicals, and Shakespeare. Her coverage also includes seasonal content related to Christmas.
Given this focus, Fiona may be interested in receiving pitches related to upcoming theater productions, interviews with actors or directors involved in notable plays or musicals, insights into trends within the theater industry or expert commentary on the impact of current events on the performing arts.
Since her geographic focus is national (United Kingdom), consider pitching stories that are relevant to UK-based productions or involve British actors and directors.
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By: Fiona Mountford
She is magnetic and magnificent as Jocasta in this startling modern retelling
By: Fiona Mountford
Zinnie Harris's contemporary adaptation of John Webster's Jacobean play at the Trafalgar Theatre doesn't tone down its nastiness - and makes even less sense
It’s a rare treat to see Shakespeare’s text take centre stage, but this production has little fizz or urgency
In this theatrical age where the directorial concept is king, it is refreshing and more than a little surprising to come across a production almost entirely devoid of gimmicks.
By: Fiona Mountford
A playful Hanif Kureishi adaptation is riot of a life force with occasional outbreaks of dancing
The joyous homegrown British musical has a warm heart and a thrummingly tuneful score
By: Fiona Mountford
Little did I know that 'Paddington' would be the last time the three of us went to the cinema together
There's beguiling dancing, but the RSC’s Christmas family show is an over-egged, confusing muddle
The lead performers shine, but this ramshackle cryptocurrency drama takes too long to reach its entirely predictable conclusion
By: Fiona Mountford
His Scrooge is underpowered but the message of Dickens's story feels as fresh and pertinent as ever
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