Franco Milazzo

Featuring works as diverse as Michael Nyman’s “Strong on Oaks, Strong on the Causes of Oaks” and Felix Mendelssohn’s “Overture” from A Midsummer Night’s Dream, Sinfonia Smith Square’s environmentally-minded concert The Orchestral Forest is an enchanting sonic experiment.

James Cameron’s Avatar was this weekend the latest to be screened at the Royal Albert Hall as part of their Films In Concert series.

Jarvis Cocker singing torch version of Tina Turner 's “Private Dancer”? Peter Serafinowicz doing an Elvis Presley impression for half an hour?

There's no shame in pulling an old favourite from the vaults but Jonathan Miller's 1982 gangster-themed production is firing blanks in this latest revival.

With cabaret, sometimes it isn't about the singer, or the song, but the singer singing the song while bouncing a drumstick off a trio of skulls. Perfectly timed for Halloween, Monica Salvi’s Spirits In My Closet is a witch’s brew containing personal stories and the supernatural musings interspersed with songs written by Tori Amos, Randy Newman and Screamin’ Jay Hawkins.

Smashing together tap dance and film noir, Romain Rachline Borgeaud's Stories is wrapped around an immersive form of storytelling. Is the world ready for tap noir?

Returning to the West End La Clique is back with a new cast. After two decades of presenting some of the finest vaudeville talent around, is this the beginning of the end or the end of the beginning for this cabaret institution?

Whether on the news or on Netflix, dystopia seems the theme of the year. With a disturbing score from Max Richter Wayne McGregor 's enthralling and

Finding the funny in one of Europe's most violent episodes of political tumult, YESYESNONO's The Glorious French Revolution (or: why sometimes it takes a guillotine to get anything done) is a riotous romp.

Stepping out from behind the ones and twos, Lemon Jelly DJ and club promoter Fred Deakin takes us on an odyssey through his own life and times.