Gary Naylor is the Chief London Reviewer at BroadwayWorld. He passionately covers a diverse range of topics including theater, cricket, and sports commentary, while also delving into film reviews and nostalgic football discussions. Gary's work has been featured in notable publications such as Island Cricket, Playbill, The Guardian, and theartsdesk.com.
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United Kingdom (National)
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Gary Naylor's coverage primarily consists of reviews and event coverage related to theatre, plays, musicals, and opera. He might be interested in pitches offering access to exclusive interviews or behind-the-scenes insights into upcoming productions or noteworthy performances.
Given the nature of his articles, he may appreciate pitches from publicists representing new theater productions or events seeking critical review. Additionally, he might also respond well to engaging story angles regarding the evolution of theater as an art form and its impact on society.
Considering his extensive focus on theatre-related content with a limited geographic scope mentioned for specific events like Leeds Playhouse and Royal Albert Hall, it is best to tailor any pitches by aligning them with relevant UK-based theatrical activities while ensuring they offer unique perspectives that fit within the context of Gary's typical coverage.
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Incomprehensible drama fails to breach the cultural gap between Japan and England
By: Gary Naylor, Rececca Banatvala, Harry Elletson
Promising production, beautifully acted, slides into side plots and confusion
A personal show with plenty of 'Wow!' and a nice counterpoint to the gods of magic who deliver miracles from on high
By: Gary Naylor
Top marks for Noman Ali and Sajid Khan who surprisingly impressed but a series to forget for Ben Stokes
It must be hard to do superpower satire the day after a candidate for November's presidential election is on television saying, unironically, “I'm the opposite of a Nazi”.
By: Gary Naylor, Charles Flint
Lots of heartache, but a strange void where the heart of the play should be
Tim Carroll 's production is about as straight an Othello as you can expect to see these days.
Buckle up - you're in for a long ride! If the curtain goes up at six o'clock and comes down again at just before ten, a director has plenty
Super writing and acting jolts us out of complacency
“Church Hall if wet” So goes the last line on many a poster for a village fete in England, a sensible precaution on an island that still
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