Gary Naylor is the Chief London Reviewer at BroadwayWorld. He covers a range of topics including theater, arts and entertainment, and cricket, showcasing his passion for the vibrant cultural scene of his home city while also engaging with sports commentary. Naylor's work has been featured in Island Cricket, Playbill, The Guardian, BroadwayWorld.com, and theartsdesk.com.
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United Kingdom (National)
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Gary Naylor's coverage primarily consists of reviews and event coverage related to theatre, plays, musicals, and opera. He might be interested in pitches offering access to exclusive interviews or behind-the-scenes insights into upcoming productions or noteworthy performances.
Given the nature of his articles, he may appreciate pitches from publicists representing new theater productions or events seeking critical review. Additionally, he might also respond well to engaging story angles regarding the evolution of theater as an art form and its impact on society.
Considering his extensive focus on theatre-related content with a limited geographic scope mentioned for specific events like Leeds Playhouse and Royal Albert Hall, it is best to tailor any pitches by aligning them with relevant UK-based theatrical activities while ensuring they offer unique perspectives that fit within the context of Gary's typical coverage.
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By: Gary Naylor, Steve Gregson
Class, in its 21st century manifestation, colours much performed play
Crammed into a plain, functional structure defined by straight lines and disorienting corridors, unsure of who you can and can't trust and longing for the familiar sights, sounds and smells of home.
By: Gary Naylor
Memories, frustrations and hopes in a city emerging from post-war austerity
By: Gary Naylor, Marc Brenner
A new, if not as radical as once it were, take on Shakespeare's cross-dressing call to arms
By: Gary Naylor, Marc Brenner
Rosie Sheehy and Jamie Ballard shine in Edinburgh Festival import
Already this year, I've thought much on the nature of theatrical revivals and adaptations.
Miriam Freedman's stroy is both a tribute to Human Spirit and a warning for today
If you saw Upstart Crow on television or on stage in the West End, you’ll know the schtick of Sheldon Epps’ dazzling show Play On! Take a Shakespearean play’s underlying plot and characters and relocate them for wit and giggles. “Make it a musical“, you say? Okay, but who’s going to do the score, who’s going to dare to follow in the footsteps of Lenny and Steve, of Cole, of Elton (okay that one came a bit later)? “Duke Ellington!” Right. You’ve sold it.
Super performances deliver magnificent entertainment
By: Gary Naylor, Hugo Glendinning
Martin is not Harry Potter in the movies, then might be in real life, but proves to be the boy who survived
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