Gerald Malone is a journalist who writes for Reaction, focusing on opera and classical music. With a keen eye for artistic performances and a passion for the genre, Gerald provides insightful and engaging articles that delve into the world of opera, highlighting notable productions, performances, and events in the industry.
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Gerald Malone predominantly covers entertainment news and culture & society, with a focus on opera. His articles often feature event coverage and expert commentary. To appeal to him, consider providing unique insights or behind-the-scenes information related to opera events, productions, or the industry as a whole.
Since Gerald's coverage attributes suggest a penchant for seasonal content, offering pitches tied to specific times of the year could be effective in capturing his interest.
Given his thematic preferences around entertainment news and culture & society topics such as opera, La traviata, Royal Opera House etc., tailor your pitches accordingly to align with these areas of interest.
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“Ain't it a Pretty Night?”. Well, last Tuesday was certainly a great day, when the Inbox pinged, delivering a version of that best-known same name
By: Gerald Malone
OperaGlass Works' ambition is no less than to create a new genre of opera. Their upcoming film of La Traviata , Giuseppe Verdi's 19 th century
The monumental oratorio Gurre-Lieder is a riveting success
The Met orchestra struck up The Star-Spangled Banner It is a venerated tradition to sing the American national anthem – adopted in the US as recently as 1931 – at the opening of the Met season.
“You are a criminal! Going to the opera house when Oktoberfest is downtown!” The black-tie ensemble was one tell. The destination, Prinzregententheater, might have been another.
Stroll on! That's Harry Bicket mooning around outside Handel's House, 23 Brook Street, Mayfair.
By: Gerald Malone
The triumph of this clever and subtle version of Faust is down not just to Lane but her entire creative team.
By: Gerald Malone
A co-production with the Met is a resounding endorsement of Scottish Opera's artistic standing.
On Site Opera's production of Lucidity is proof that the opera medium can tell a story of common experience in a more impactful way than any other.
The Sound Voice Project staged at The Royal Opera House’s Linbury Theatre tells the searing story of people who have lost theirs
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