Guy Lodge

Adapting a Jim Crace novel for her first English-language feature, the Greek director immersively plunges audiences into the mud, sweat and tears of pre-industrial agriculture.

Produced by Luca Guadagnino, with what should be a star-making performance by Manfredi Marini, Giovanni Tortorici's honest, intelligent youth portrait resists tidy arcs and objectives.

A female obstetrician moonlights as an illegal abortionist with severe consequences in Georgian director Dea Kulumbegashvili's altogether extraordinary second feature.

Yeo Siew Hua's 'Stranger Eyes' uses genre trappings as a mere jumping-off point for a moving, moody reflection on social isolation and alienation.

At first it seems a premise shamelessly lifted from Michael Haneke's “Caché”: A couple is disconcerted to receive an unmarked DVD in their

A straight female urologist and a gay male nurse ponder the possibilities of love without sex, and vice versa, in the second part of Dag Johan Haugerud's intimacy-themed trilogy.

Built around a performance of immense care and delicacy by Kathleen Chalfant, Sarah Friedland's debut feature is a precise, funny and deeply moving portrait of a woman adjusting to assisted living.

Steve Coogan brings his signature dry irony to proceedings, but the penguin is the star in Peter Cattaneo's gentle 'The Penguin Lessons.'

In 2017, Japanese journalist Shiori Itō publicly accused a prominent media executive (and associate of Prime Minister Shinzo Abe) of rape, and published a bestselling memoir detailing her case — Black Box

Of more than 200 new movies that premiered over the past few weeks, Variety's critics pick the top 19 seen at the Venice, Telluride and Toronto fests.