Ilana Lucas is a journalist at BroadwayWorld.com. She specializes in covering plays and musicals, drawing on her extensive background as an English professor and her experience as a freelance dramaturg and playwright. Ilana's work has been featured in Intermission Magazine TO, The Globe and Mail, and the Toronto Star.
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Toronto, Canada (Local)
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Ilana Lucas primarily covers theater and performing arts, focusing on play reviews and interviews. She might be interested in pitches related to upcoming plays, musicals, or theater events that offer the opportunity for review or interview coverage. If you have insights into the latest trends or developments in the theater industry, particularly within Toronto's entertainment scene, she could find them valuable.
Considering her predominant focus on reviewing theatre productions and conducting interviews with key figures in the performing arts industry, it would be beneficial to tailor your pitch around these areas. It is important to note that Ilana concentrates her coverage mainly within Toronto's theatrical landscape.
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Open this photo in gallery: Tom Rooney in Rogers v. Rogers. Dahlia Katz/Supplied Title Rogers v. Rogers
When it comes to adaptations of French playwright Edmond Rostand's romantic tragedy Cyrano de Bergerac , you can take your pick of the nose.
Who doesn't have a secret locked up in an attic somewhere? In Jen Silverman 's The Moors , the slightly deranged love child of the
Why is the default state of discourse immediate rage? Why do we spend so much time reading other people's motives in bad faith?
I experienced my first cicada invasion in 2004. The noisy bugs with beady orange eyes made a constant, almost deafening sound that seemed to give voice to the oppressive late May New Jersey heat.
By: Ilana Lucas
When it comes to experimental theatre in North America, few have a legacy as long, dedicated, and influential as Richard Foreman. When Foreman died in 2025, he left an archive of over 50 years of work from his Ontological-Hysteric Theatre company, founded in 1968. Foreman’s theatrical explorations prioritized immediacy and the present over a fixed sense of narrative, focusing on the process of the play’s creation and the audience’s interpretation.
By: Ilana Lucas
Get all the top news & discounts for Toronto & beyond. DADS (Found Objects Theatre)
By: Ilana Lucas
Reviews of Pedro the Penguin, 1920s Walking Around in a Dream, Olivia O: The Musical, A Conversation With Myself, and Aliya Kanani: A Comedian's Guide to Enlightenment
By: Ilana Lucas
Reviews of Love, Shakespeare, and Rope; A Comedy Show at the End of the World; and Orbit
