Jake Nevins

On Friday evening, our fashion director Dara and our brand-new fashion correspondent Lyas attended their very first Alaïa show. That alone would’ve been exciting enough, but then Interview ‘s Spring 2024 cover star Rihanna entered the Guggenheim Museum, taking her place in the front row alongside a spate of icons including Naomi Campbell and Linda Evangelista. “

On Saturday morning, at the community basketball courts of Brooklyn Bridge Park, Ib Kamara brought his revamped vision for late friend and collaborator Virgil Abloh’s label Off-White to New York City for the first time. After showing at Paris Fashion Week last season, the designer couldn’t have asked for a better late-summer New York day, with guests assembled by the thousands as the sun reflected off ripples of water in the East River. In the crowd, our new fashion correspondent spotted rapper and longtime Off-White enthusiast Flava Flav sporting his signature giant clock necklace. As it turned out, he had all the time in the world for Mr. Kamara. “T he show was too quick, man,” Flav said. “It went too fast.”

"It's like we're doing evening wear, but from the perspective of girls that wear bike shorts," said Esther Gauntlett and Jenny Cheng, the design duo behind the beloved New York brand.

On the High Line at Stuart Vevers' latest show, we tracked down the ladies of the pop sextet to talk about some Coach staples, from baggy jeans to denim on denim.

In this week's Rorschach Test, the celebrity psychotherapist and host of the podcast "Where Should We Begin?" joins us to talk vanity, Freud, and hypnotherapy.

“We really went there,” Robin F. Williams proclaims about a wild vacation to Fire Island she took with friend and fellow painter Jenna Gribbon. The same can also be said about William’s latest exhibition at P.P.O.W. Gallery, Good Mourning, in which the artist’s cinephilia is on full display. A series of oil paintings that reference iconic horror films like

When I met Olly Shinder, founder of his eponymous menswear brand, he seemed calm in the eye of the Fashion Week storm. Fashion East, the London-based incubator hosting his SS25 show, has nurtured the likes of Jonathan Anderson and Mowalola Ogunlesi, so being one of its alumni comes with considerable pressure.

In late September, The Flea Theater was fitted out with a set that resembled something like an influencer’s Dreamhouse for the production of Pretty Perfect Lives. The couple living within the set’s fluorescent panels, ring lights, orb lamps and a confrontational medley of taupe and grey finishes is Tiffany and Tucker, vacuous and picturesque lifestyle content creators who live-stream every moment of their day. Their romance hits thin ice when Tucker, played by

When Garth Greenwell told me that “actually writing embodied experience is basically impossible,” I nearly laughed in his face. There are few authors who make me feel as alive and rooted in my body as he does. And, somewhat unfairly to the rest of us who are fighting for our lives to describe a tree (branchy? vegetal?), Greenwell’s writing also adeptly captures how it feels to think. His gloriously winding sentences, in which art becomes a “laboratory for thinking,” are as thought-provoking as they are pleasurable.

Near the beginning of Emily Witt’s remarkable new memoir, Health and Safety, the author stops taking Wellbutrin and starts flirting with party drugs. The year is 2016—one could easily be forgiven for seeking relief on the dance floor. But what Witt finds is something far more interesting than the transitory highs of a late night on Myrtle-Broadway. She meets the man who’ll become her boyfriend, a tall, thickly bearded party boy five years her junior, but also a vibrant subcommunity of people for whom the pursuit of fun is as much an intellectual project as it is a mode of congress. “It was like we were part of a big, safe bubble,” she writes. “We were in our late twenties and thirties and having friendships in a way we were told that you were not supposed to have as an adult.”