James Robertson is a music journalist based in Australia. He writes for various publications including The New Daily, Scottish Field Magazine, and GLASGOW EVENTS LIMITED. James covers a wide range of topics within the music industry, from album reviews and artist interviews to event coverage and industry news.
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James Robertson's coverage is heavily focused on government and politics, with a particular emphasis on Australian domestic policy and international relations. His articles often involve government announcements and legal policy regulation.
To effectively reach out to James, consider providing insights or analysis related to recent government announcements, regulatory changes, political events within Australia or affecting Australian foreign policy. Additionally, experts in law and political science who can provide context for legal policies may find success in pitching their expertise to him.
Given his national focus on Australia, pitches should be tailored specifically to developments within the country's political landscape.
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By: James Robertson
Rock in Rio is a flamboyant celebration of music, held in beautiful Rio de Janeiro every two years. Started in 1985, the festival has a worldwide reputation of excellence, not just in the artist line up, but the festival site itself. The choice to use DiGiCo consoles for the main front of house systems is […]
By: James Robertson
Produced by Euforia Festivals, Tranceformations is one of Poland’s largest EDM Festivals. It takes place annually at the Centennial Hall, a UNESCO-listed building in the charming city of Wroclaw, capital of Lower Silesia. The historic venue, built in 1913 to a design by architect Max Berg, holds 10,000 people beneath its 42m high x 67m […]
RF Venue has announced a new and exclusive distribution partnership for the UK and Ireland with CUK Group. The new arrangement will improve access to RF Venue products for integrators and live sound providers. Stock will ship directly from CUK’s East Kilbride distribution centre, with customers purchasing in their local currency, whether that be Pounds […]
Country artist Brice Lee, one of the 2024 Lone Star Jam headliners, performs using the TT+ AUDIO GTX line array system for the second time this summer upon request of his FOH engineer and production manager Wayne Pauley.
By: James Robertson
Designed for the creation of piercing aerial effects, ADJ’s new Ultra Beam Bar 12CW is a compact linear entertainment lighting fixture that features 12 cool white LEDs. Each LED generates a narrow beam of bright white light and when all 12 are lit simultaneously the fixture creates a ‘curtain of light’ effect. The LEDs can […]
By: Jeff Johnson
Matthieu Larivee and the team at Luz Studio designed Jason Aldean’s 24-city
By: James Robertson
Lighting Designer Whitney Hoversten is shaping the visual spectacle of Bruno Mars’ shows using Elation PROTEUS series lighting. From his eight-year residency at Park MGM in Las Vegas to selling out stadiums worldwide, Hoversten has employed the market-leading IP-rated PROTEUS lighting to enhance and complement the global superstar’s dynamic performances. For over a decade, Mars […]
By: James Robertson
Las Vegas-based independent lighting designer Gregg Maltby used an array of Ayrton fixtures and a pair of grandMA3 light consoles for legendary artist Peter Frampton’s The Positively Thankful Tour, which led up to his induction ceremony at the Rock & Roll Hall of Fame in October. Ayrton and MA Lighting products are exclusively distributed in […]
Willis Underhill, Diamond Rio’s Gallatin, Tennessee based lighting designer, used Capture and CuePoints to program his show. When running the show as he did October 19 2024 at the Columbus Civic Center, he busked over his cues to add depth and spontaneity his looks. It worked to perfection that night as he created a warm inviting party atmosphere inside the big venue with his fast-moving bursts of bright light.
By: James Robertson
Audient has released both the iPad Remote App and optional Dante Card for the Immersive Audio Interface and Monitor Controller ORIA. The iPad Remote App is completely free and allows the user to control ORIA remotely, straight from the iPad. Designed to speed up workflow, Audient’s Andrew Allen explains: “The App’s Home Tab is essentially […]
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