Jason Bailey is a Copy Editor at The New York Times. He specializes in arts and entertainment, with a focus on film and cinema, music festivals, and reviews, often covering events like SXSW and streaming platforms such as Netflix. Jason's work has been featured in prominent publications including Rolling Stone, Vanity Fair, and NBC News.
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Jason Bailey's coverage heavily emphasizes reviews and entertainment news, with a focus on movies, streaming, and real estate. He would likely be interested in pitches related to movie reviews or analysis of the entertainment industry. Topics such as trends in streaming services, impact of digital platforms on cinemas, or analyses of specific movies may resonate well with him.
Given his emphasis on business and real estate topics within this context, he may also be open to pitches about significant property market developments or insights into wealth distribution dynamics that align with his readers' interests.
Since Jason doesn't have a specified geographic focus but seems to cover international content like "Bahamas' Billionaires Row," it suggests he is receptive to global stories rather than being limited by location.
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By: Jason Bailey
Kentuckians want their elected leaders to invest in their public schools and protect them. That takes money they cannot continue to give away.
Kyle Mooney's "one crazy night" sci-fi comedy has a few good ideas, a movie star performance by Rachel Zegler, and a whole lotta filler.
By: Jason Bailey
Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
Halina Reijn’s erotic drama is an uncommonly candid examination of sex, power, and their intersections.
“It’s Xavier,” he mumbles.
Stylish direction and sensitive performances ultimately can't save a badly shopworn screenplay.
All are slated to be pulled from Netflix by the end of January. The long nights of January offer Netflix subscribers the opportunity to binge shows they might have missed.
By: Jason Bailey
Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
Not holding the awards is noble in theory, but it would have more cons than pros on a practical level.
For my money, what makes Steven Soderbergh special — what makes him, second only to Martin Scorsese, our greatest living filmmaker — is his career-long
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