Jay Nordlinger is a Senior Editor at National Review and a music critic for The New Criterion. With a focus on national issues in the United States, Jay's articles cover a wide range of topics including politics, culture, literature, and music. His writing reflects a deep knowledge and passion for conservative principles and intellectual discourse.
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Jay Nordlinger's coverage is primarily focused on opinion editorial pieces with a strong emphasis on political themes. He also covers lifestyle topics such as party culture, soccer, parenting, and poetry.
Given his focus on opinion editorials and political themes, Jay would likely be interested in pitches from individuals with unique perspectives or insights into current events and political issues. Lifestyle topics related to cultural trends and societal behaviors may also resonate well with him.
When considering pitching Jay Nordlinger, it is important to keep in mind that he focuses nationally within the United States. Additionally, given his interest in opinion editorials and profile features, offering compelling personal narratives or expert commentary would likely capture his attention.
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Notes on Russia and its allies against Ukraine and the West.
With Natan Sharansky, I have recorded a podcast, a Q&A here . We talk about the war in which Israel is engulfed. The war that has been visited on it.
On the presidential campaign, Russian disinformation, neo-Bircherism, daylight saving time, and more.
Today, I have an Impromptus column, heavy on the presidential contest. At the end, there is a little photo album from Halloween, which may ease the pain (if pain there is). Anyway, that column is here . See what you think.
The life of a conservative from Reagan to Trump.
Reader mail on Wake Forest, Ted Marchibroda, and more.
Share on EmailMozart wrote five violin concertos, all but one of them in the same year—1775, when he was nineteen. The Concerto No. 1 was written two years before, possibly. Musicologists are unsure.
On a podcast with Bernard-Henri Lévy, the French philosopher, writer, and activist.
On a music podcast, stretching from Henry Purcell to Quincy Jones.
Share on EmailOn Friday morning, the New York Philharmonic was conducted by Santtu-Matias Rouvali, a fabulous Finn—one of multitudes. Is every person in Finland a conductor? No, only every third person. Rouvali has a graceful conducting style, with balletic arms. He is clear in what he wants—you could follow him from the second balcony. And he has one helluva mop.
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