Jeremy Smith is an Entertainment Writer at various prominent publications. With over two decades of experience in film criticism and pop culture, he explores themes in movies, television, and the intersection of arts and sports. His work has been featured in outlets such as Polygon, The A.V. Club, and Variety, among others.
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Jeremy Smith's coverage heavily focuses on entertainment news, including movies, celebrities, and music. He also covers exclusive content to a certain extent.
If you have insider knowledge or access to exclusive information about the entertainment industry, such as behind-the-scenes stories related to films or TV shows, interviews with celebrities, or analysis of industry trends and events, Jeremy may be interested in your pitch.
Given his broad focus within the entertainment sector and lack of specific geographic emphasis, he may be open to pitches from various locations as long as they align with his area of interest.
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"Saturday Night Live" is now in its 50th year of existence, which means the sketch comedy show will spend much of 2025 warmly celebrating its own broadcast legacy.
By: Jeremy Smith
In this age of streaming entertainment, viewers' criteria for what qualifies as a multiplex-worthy movie has changed dramatically.
The Judd Apatow method of comedic filmmaking, where actors are encouraged to riff and/or repeat lines fed to them off-camera by the director, tends to lead to an embarrassment of riches in the editing room.
By: Jeremy Smith
If you think "Seinfeld" was all about its fab four of Jerry Seinfeld, Julia Louis-Dreyfus, Jason Alexander, and Michael Richards, I envy you.
By: Jeremy Smith
In 1993, "Super Mario Bros." became the first live-action feature film to be based on a video game. It didn't go well.
The late 1990s were a thrilling time for movie buffs to be online. The proliferation of independently owned and operated news websites like Ain't
20 years ago, Tyler Perry caught Hollywood completely by surprise when his low-budget romantic comedy "Diary of a Mad Black Woman" opened to $22 million at the U.S. box office.
By: Jeremy Smith
It's been 12 years since Ryan Coogler made his startlingly assured feature filmmaking debut with "Fruitvale Station," but he still feels like an unknown quantity as an artist.
By: Jeremy Smith
When a popular television show becomes grist for spin-offs, showrunners and their writers are immediately faced with the challenge of expanding a
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