Jim Beviglia is an author and journalist who specializes in music. He has written for publications such as American Songwriter, CultureSonar, and Treble Media. Jim's articles often explore the hidden stories and meanings behind popular songs and albums, providing readers with a deeper understanding and appreciation of music.
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Jim Beviglia's articles predominantly cover music, bands, songwriting, rock and roll, and album reviews. With a focus on entertainment news, he frequently incorporates industry-specific content and expert commentary.
To effectively reach out to Jim Beviglia for potential coverage or collaboration opportunities, consider offering unique insights into the meaning behind songs or albums by renowned artists. Additionally, providing in-depth analysis of lesser-known hits or overlooked aspects of well-known musicians could capture his interest.
Given his penchant for uncovering the stories behind music and its creators as well as reviewing albums and showcasing industry experts' perspectives, pitches should emphasize original storytelling angles along with access to credible sources within the music industry.
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The Band tended to cast a special glow on just about everything they did from a musical standpoint.
By: Jim Beviglia
It's never wise to completely count out talented musicians, even if they seem to be slumping, feuding, or suffering from the fickle winds of popular taste.
By: Jim Beviglia
The lead actor of the film for which it was intended didn't like the song at all. Neither did the first artist approached to sing it. Radio stations initially balked at the finished product, what with its old-timey sound seeming out of place as the 1960s turned into the '70s.
By: Jim Beviglia
Toto enjoyed the big career blastoff in 1979 with a Top-10 self-titled debut album and a Top-5 lead single (“Hold the Line”). Then there was the
By: Jim Beviglia
The similarities they shared with The Beatles meant Gerry and the Pacemakers were always going to be performing under a pretty big shadow. It's to their everlasting credit they managed to carve out quite a niche on their own.
By: Jim Beviglia
John Prine tried something novel with his 1978 album Bruised Orange . The album was his first for his new label, and it also found him working for the first time with a fresh producer, even if that producer was an old friend.
By: Jim Beviglia
Just think what they might have been able to do had they been able to tour the United States, the world's biggest music mecca, at the height of their success. Instead, an American union essentially prevented them from touring the country for five years in the 1960s. Here are the high points (or should we say low points) of this bizarre tale.
By: Jim Beviglia
Bruce Springsteen has gained a reputation as being the ultimate perfectionist when it comes to his albums. Legends abound of unreleased, complete LPs sitting stocked away somewhere in his vaults, all because they didn't quite fit the exact message he wanted to deliver to his audience at the time.
By: Jim Beviglia
Imagine you're in the midst of a period of personal tumult, you've overextended yourself with activities to the point it's wearing on your very
By: Jim Beviglia
It wasn't a thrilling step forward, a return to old glories, or even a notable misfire. Between the Buttons found the Stones between eras and styles. But it nonetheless includes a memorable batch of songs, especially when you count both the U.S. and UK versions of the record.
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