film/TV reporter, critic, columnist, podcaster
Joe Reid is a film/TV reporter, critic, columnist, and podcaster at various outlets. He covers a broad range of topics including arts and entertainment, government and politics, and world affairs, with a particular focus on TV, movies, and theater. Joe's work has been featured in Canada's National Observer, Catholic Spirit, Vulture, Primetimer, NewsBreak, and Vanity Fair.
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Joe Reid's coverage heavily focuses on entertainment news, particularly movies and awards season. He also delves into reviews of cultural events or phenomena. Given this, he may be interested in pitches related to upcoming movie releases, insights into the awards season, interviews with actors or industry insiders, and analysis of cultural trends within the entertainment industry.
Reid's emphasis on seasonal content suggests an openness to pitches that align with current events or trends within the film and entertainment world. Pitches offering unique perspectives on award shows or deep analysis of popular culture phenomena are likely to resonate with him.
Since his geographic focus is not specified but he writes for Vulture which has a more international audience reach, it would be beneficial for sources pitching stories relevant across different regions while keeping them pertinent to global audiences who follow Hollywood and filmmaking closely.
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By: Nate Jones, Joe Reid
The Golden Globes don't matter at all — except when they do. That's what makes them fun!
By: Joe Reid
The Hollywood Foreign Press Association was a bunch of corrupt glad-handers who were elevated to a pedestal far higher than they deserved because
Nobody comes into this night looking for a carbon copy of last year’s Emmy winners.
I’m serious.
By: Joe Reid
Warning: Spoilers ahead for the first two episodes of season three of The Traitors , now available on Peacock.
What that new rule — and those new players — mean for the rest of the season.
By: Nate Jones, Joe Reid
As Oscar pundits, we try to be fair to everyone, but we know who we're rooting for — and also, who we aren't.
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