John Shand is a critic and journalist at WAtoday, Brisbane Times, The Age, The Sydney Morning Herald, and Blue Mountains Gazette. He focuses on arts and entertainment, with a particular emphasis on music and theater, while also addressing social issues within his reviews. John’s work has been featured in prominent publications, showcasing his expertise and insights into the cultural landscape of Australia.
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Australia (National)
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John Shand's coverage consists largely of reviews and profiles on lifestyle and entertainment, with a specific focus on theater, music, musicals, performances, and Australian plays. Given this focus, individuals or organizations involved in the local arts scene in Australia (especially New South Wales and Sydney) would likely find success by reaching out to him.
Since John writes extensively about various productions and events within the entertainment industry in Australia, he may be interested in pitches that offer exclusive insights into upcoming shows or behind-the-scenes access to artists involved in the local theater or music scenes.
Considering his profile features as well as event coverage pieces make up a significant portion of his work; PR professionals should consider pitching human interest stories related to performers or key figures within the mentioned topics.
This information evolves through artificial intelligence and human feedback. Improve this profile .
Karen Hall had her career as a professional cellist turned upside down by two clowns.
By: Michael Ruffles, John Shand
By: John Shand, Michael Ruffles
Our reviewers catch up with all the latest shows around town.
By: John Shand
The jazz virtuoso happily acknowledges she stands on the shoulders of giants.
By: John Shand
To have suggested 25 years ago that The Wharf Revue would last 25 years would have been one of the jokes.
By: Peter McCallum, John Shand
By: John Shand
During the COVID lockdowns, when cellist Rachel Scott was allowed only one visitor at a time, she streamed monthly duets she made with other instrumentalists.
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