Joshua Chong

The six standbys of the hit Canadian musical each cover four principal roles and must be ready to perform at a moment's notice.

Roy Thomson Hall has been known for its bad acoustics. How does it compare with George Weston Recital Hall, one of the city's best venues?

"This Feels Like The End" and "I Was Unbecoming Then" are among six new works headlining the Toronto Fringe's Next Stage Theatre Festival.

Igor Stravinsky’s 1918 theatrical work has received a poignant update by librettist Titilope Sonuga.

The show, which features an array of pop tunes by Max Martin, previously received a sold-out pre-Broadway run in Toronto.

Britta Johnson’s stirring musical, which premiered to critical acclaim at the Toronto Fringe Festival, is returning to the city for an off-Mirvish run.

The Broadway actor began her career in the original Canadian production of "The Lion King." Two decades later, she's stepping back into the show.

Privately, the Giller Foundation’s executive director assured authors that the organization was parting ways with its lead sponsor, Scotiabank, before abruptly changing course in a series of public statements.

Mark Leiren-Young’s new solo play, starring Saul Rubinek, feels urgent amid a series of controversial and high-profile cancellations across the country.

Heidi Schreck's 90-minute play, “What the Constitution Means to Me,” offers a deeply personal exploration of an age-old document.