Kathryn Vanarendonk is a staff writer for Vulture and her work has also appeared in New York Magazine. She covers a wide range of topics, including television, comedy, and pop culture. Kathryn's writing is known for its wit, insight, and ability to analyze and critique various aspects of the entertainment industry.
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Kathryn Vanarendonk's articles focus on entertainment, including reviews and expert commentary. She may be interested in pitches related to new and unique aspects of the entertainment industry such as thought-provoking analysis or insider perspectives on television shows, comedy specials, and other forms of entertainment.
Given her interest in providing expert commentary and reviews within the field of entertainment, she might be receptive to pitches from individuals who have deep insights into trending TV shows, comedy specials or specific elements of popular culture. This could include writers, entertainers or critics with a fresh perspective on ongoing trends in the industry.
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An unadaptable novel invites a perfect attempt at adaptation — if not a perfect TV show.
In his HBO series, the comedian needles at whether the spectacle of his own personality and pain eclipses his ability to care about others.
Women seeking justice, reality stars forging new alliances, and aliens who do not come in peace.
Jerrod Carmichael's reality series attempts to excavate his deepest flaws. KATHRYN VANARENDONK
Park Chan-wook’s HBO adaptation of The Sympathizer is a captivating senior seminar on postcolonial theory.
No other series gets the strange, hilarious magic of play.
The latest episode of the beloved children’s series could be its first misstep. Or a perfect ending.
When so much of the battle for TV viewership is getting audiences to watch a single screen, translation is Shōgun’s not-secret weapon.
What lessons should Netflix take from its live Katt Williams special and Tom Brady roast?
Apple TV+’s Sugar would be 40 percent better if we knew the twist from the start.
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