James Swift is an online editor at MediaCat magazine. He specializes in the intersections of arts and entertainment, focusing on topics such as the film industry, filmmaking, and journalism within the media landscape. James's work has been featured in prominent outlets including Yahoo Sports, The Daily Tribune News, and Yahoo Finance, among others.
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James Swift's coverage primarily focuses on local government, county commissioners, infrastructure projects, budget amendments, and crime in the United States with a specific focus on Dalton, Georgia. His articles largely consist of government announcements and legal policy regulation while also covering events related to these themes.
To effectively reach out to James Swift, consider providing insights or commentary from experts in local governance and politics within the Dalton area or wider scope of regional governance. Additionally, individuals who can speak knowledgeably about budgetary matters, infrastructure projects at a local level or are well-versed in law enforcement policies would likely pique his interest as they align with his coverage topics and themes.
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E very now and then you'll see somebody on social media proclaim they're sick and tired of horror movies getting political.
I didn't expect to enjoy the 2026 Scary Movie reboot. In fact, I sort of expected to hate everything about it.
M ost people would argue that Masters of the Universe ISN'T a horror property. My response?
W icked Horror is a great site, no doubt about it. And we're looking to add even more content and coverage — more reviews, more interviews, more retrospectives, more think pieces, more listicles, more EVERYTHING
I t's hard to get too excited about a movie literally called Super Happy Fun Clown — especially when it's on Tubi.
D isclosure Day is a film that feels like it should've come out in 2003 or something.
N ecropolis is a sleazy movie even by mid-eighties horror standards. It's the kind of movie you really couldn't make today without a lot of changes — ESPECIALLY its woefully insensitive dialogue.
G rief is universal. We all experience it. We all must deal with it. We all have to process it and face it. Some people go to therapy. Others go to church.
T he Lure Córki dancingu ) (2015) is an independent Polish film that takes the tragic story of “The Little Mermaid” by Hans Christian Andersen and
I sland of Death is one of those movies that became an accidental political statement.
