By: J. Kelly Nestruck
The original thriller reflected Gallic temperaments and the legacy of France’s colonial past, but neither mood nor story has been adapted for The Agency, which can’t resist unnecessary adrenaline-filled action sequences
Kelly Nestruck is a theatre critic for The Globe and Mail, focusing on the local theatre scene in Canada, particularly in Ontario and Toronto. With a keen eye for emerging talent and thought-provoking productions, Kelly provides insightful and engaging reviews and analysis of the latest plays and performances.
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Canada (National)
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Kelly Nestruck's articles primarily focus on theater in Canada, providing reviews and event coverage. She is likely to be receptive to pitches related to the Canadian theater scene, including new productions, festivals, and emerging talents.
Given her emphasis on reviewing performances and covering events, she may welcome pitches involving exclusive access or behind-the-scenes insights into upcoming Canadian theater productions or interviews with key figures in the Canadian theater industry.
If you have unique perspectives on noteworthy trends or developments within the Canadian theatre landscape that align with her focus areas of interest, it could enhance your outreach efforts. Keep in mind that Kelly has a national geographic focus specifically targeting Canada.
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