Kirk McKeand

The Zone contains horrors you wouldn’t believe. I’ve spoken to an invisible man. I knew he was real because I could see his military-style headphones floating t

My friend jumps into a sci-fi sarcophagus to heal his beaten-up clone body, which the machine does with the sound of someone being – I don’t know how else I can

The term “slapstick” comes from a physical instrument: the Italian batacchio, a club with two wooden slats that clash together when struck, producing a comicall

It’s the most wonderful time of the year. Your bank balance is shrinking faster than horse testes on Mount Hagen, you only see daylight for a few hours each tur

Christmas is here but there’s not much to celebrate in the games industry. Its need for growth at the expense of everything else – all the humanity and soul pou

We’ve had ten years of Sloclap games. In that decade, the French developer has perfected the art of kicking people in the head. In Absolver, players kicked each

I was a freelance games journo when the last GTA came out, working in retail and writing the odd piece for a pittance for whoever would have me. I remember the

“You ever wake up in the middle of the night and not know who you are for a second? Or ever feel like you’re not really you? That’s how I feel all the time. Eve

Freedom, creativity, and ownership were the three guiding principles Andrzej Blumenfeld, CEO at Far From Home, carried with him when he left Techland to pursue independent game creation.

There’s a scene in Zack Snyder’s 300 where Leonidas breaks from the ranks of his army and begins cutting through the Persians. The camera pans to the side to dr