Kristen Bateman

On a sunny Tuesday evening, the second day of couture week in Paris, The Metropolitan Museum of Art Friends of The Costume Institute brought out fashion and art's biggest fans for a cocktail party.

When Thom Browne presented his first haute couture collection in Paris last summer, the designs came with a particularly American twist.

Trying to find anything specific at a Brimfield Antique Show is like trying to find the elusive needle in a haystack.

The designer showed a collection in New York City that was all about fun, full stop.

The world of haute couture is undeniably fueled by fantasy. Twice a year, clients, friends of the brand, and industry insiders make a pilgrimage to

Few things can come between me and the opportunity to go vintage shopping in Paris —not a sweltering forecast, and not a packed schedule either.

On a warm night earlier this summer, a tightly curated group of people gathered in a townhouse in New York's Flatiron District.

When Anya Taylor-Joy stepped out in Jacquemus' Le Chapeau Bomba—a joyfully oversize raffia hat—at this year's Cannes Film Festival, it became clear that the accessory is this season's ultimate statement.

Every Willy Chavarria collection is bigger, bolder, and more ambitious than the last.

The upcoming presidential election is clearly on many designers' minds. Pieter Mulier, the creative director of Alaïa, was certainly mulling