Kyle Chayka is a staff writer at The New Yorker, where he covers technology and Internet culture. His work often delves into the nuances of digital transformation, exploring themes related to AI platforms, generative AI, and the impact of algorithms on culture. Chayka's insights have also been featured in publications such as The Guardian, The New Republic, and Harper’s.
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Kyle Chayka's articles cover a broad range of topics including entertainment news, culture & society, government & politics, literature and technology. His focus on expert commentary suggests that he is likely to be receptive to pitches from knowledgeable individuals who can provide unique perspectives on these varied subjects.
Given the diversity of themes and topics covered in his articles, experts with insights into sports, politics, literature, technology or social media may find success when reaching out to Kyle. Consider providing unique angles or analysis related to trending events within these areas for effective outreach.
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As slick, machine-generated visuals become ubiquitous, artists and designers are embracing a style of handmade imperfection.
When I first moved to Brooklyn, in 2010, a small, stapled, glossy print product became my guide to my new neighborhood of Bushwick and beyond.
As OpenAI's and Anthropic's valuations soar, Silicon Valley outsiders are rushing to secure a small slice however they can.
Everlane once embodied a hope that clothes could be mass-manufactured and high-quality. Now it’s owned by the fast-fashion giant Shein. Kyle Chayka writes about the millennial life-style brands that have sold out—and what it says about contemporary consumer culture.
For nearly eight years, while living in Washington, D.C., I often played out a thought experiment in my mind: Which Presidential candidate would
With a relaunch of “Keep the Meter Running,” on YouTube, the new-media host is trying to turn TikTok-clip fodder into full-blown TV.
By: Kyle Chayka, Helen Rosner, Alexandra Schwartz, Sarah Larson, Rachel Syme, Jon Allsop, Naomi Fry, Jennifer Wilson
Every week, The New Yorker's editors and critics select the best new books of the year so far.
Ian Bogost’s new book, “The Small Stuff,” argues that reclaiming the tiny, mundane pleasures of the physical world can help us offset the encroachment of screens.
How Anthropic’s new tool, Claude Design, is creating overnight web-design clichés.
Matt Ström-Awn, an independent designer, works mostly with startups in their early stages. Recently, two different clients proudly showed him sales decks that they had produced to court customers.
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