Kyle Logan is a freelance journalist and film critic who writes for various publications such as Wealth of Geeks, ScreenAnarchy, and Cigalah Group. With a passion for cinema, Kyle's articles explore a wide range of topics including movie reviews, film analysis, and pop culture. His work has been featured in WALB-TV, Looper, WTXL ABC 27, and Cultured Vultures.
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Kyle Logan's articles primarily focus on movies, film reviews, actors, box office performances, and directors. He frequently covers event-related content and provides movie reviews. Given his coverage attributes and topics covered, he would likely be interested in pitches related to new movie releases, exclusive interviews with actors or directors, behind-the-scenes insights into the film industry events such as award shows or festivals.
For entertainment news-focused pitches related to movies that align with Kyle's coverage area could also resonate well. This may include trends within the film industry or human interest stories involving prominent figures in the entertainment world.
Considering Kyle Logan doesn't have a specified geographic focus; relevant pitches from any location are likely to capture his attention if they align with his areas of interest.
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Video Vision wears its Videodrome influence on its sleeve. Of course there's the name, but it goes further than that; both are about their central characters becoming one with analog technology and both make fantastic use of practical effects, especially...
MaXXXine opens with a home movie from 1959 of young Maxine (Charley Rowan McCain) speaking with her preacher father, repeating his mantra “I will not accept a life I do not deserve.” Like much of MaXXXine, it’s something that piques interest in its potential meanings and thematic weight, especially in the context of its sibling films X and Pearl, but fails to cohere as anything but a plot point by the film’s end.
Scarlett Johansson and Channing Tatum star in director Greg Berlanti's flighty comedy.
By: Kyle Logan
Ryan Reynolds and Hugh Jackman star in the latest Marvel movie, directed by Shawn Levy.
Sugarcane is a balanced and striking documentary about individuals affected by the traumas of an Indigenous residential school.
We all know something bad is going to happen from the start of Blink Twice, the writing and directing debut of Zoë Kravitz. That doesn’t make the majority of the film, spent with nail artist Frida (Naomi Ackie) and her friend Jess (Alia Shawkat) as they delight in the private island of a startup billionaire, any less fun or inviting. Nor does it make the film’s reveal any less impactful. Blink Twice hits beats we’ve seen many many times before. […]
Michelle Iannantuono's horror thriller stars Michael Smallwood, Kristopher Bosch, and Christopher Trindade.
Rupert Sanders' new reboot of the 1994 cult classic The Crow is based on the comic by James O’Barr.
By: Kyle Logan
In Martin Kudlac's review of Red Rooms , he writes about how the film draws on Michael Haneke, its "enigmatic" protagonist Kelly-Anne (Juliette Gariépy), and the ways it repeatedly "bucks genre expectations" as a film ostensibly about a serial killer.
In part 1 of our interview, Red Rooms filmmaker Pascal Plante talked extensively about how individual scenes were designed and shot. In part 2, we got more into the musical score and the ethics of making his thriller. Red Rooms...
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