Lloyd Evans

At PMQs, Sir Keir Starmer got a monumental roasting from Rishi Sunak whose patience seems to be wearing thin.

Strange title, Juno and the Paycock. Sean O’Casey’s family drama is about a hard-pressed Dublin matriarch, Juno, whose husband Jack ‘the paycock’ Boyle refuses to support his family and spends all day drinking with his penniless cronies. The producers have labelled the show an ‘Irish masterpiece’, which raises the bar. Mark Rylance plays Jack as

‘The battle of the gingers.’ That’s how Angela Rayner described her tussle with Oliver Dowden at deputy prime minister’s questions today.

The Duchess [of Malfi] has been partially updated by Zinnie Harris in a puzzling modern-dress production. The set by Tom Piper resembles a concrete bunker in an abandoned apartment block and Ben Ormerod’s lighting throws weird shadows across the playing area, which seems to consist mostly of discarded plywood sheets. It feels like a scout-hut

The Tories lied! That was the thrust of Rachel Reeves’s first Budget today. She was very specific about the falsehoods. At the time of the spring financial forecast, she said, ‘they hid the reality of their public spending plans.’ Parliament and the public were the victims of ‘a cover up’ about pressures on our economy.

Stanley Kubrick’s surreal movie Dr Strangelove is a response to the fear of nuclear annihilation which obsessed every citizen in the western world from the end of the Cuban missile crisis in 1962 until the fall of the Berlin Wall in 1989. The play’s co-adaptors, Sean Foley and Armando Iannucci, are old enough to recall

Slightly childish and she didn’t win. That’s how Kemi Badenoch fared during her first bust-up with Sir Keir Starmer at PMQs. She began with a snippy reaction to his gag about the Tory party’s penchant for changing its commander-in-chief. Sir Keir said that Kemi was the fourth leader he’d faced in less than five years.

How To Survive Your Mother is a play based on a memoir by political dramatist Jonathan Maitland. He portrays himself in the show, and he muses on the wisdom of turning his manipulative, devious, sex-mad mother into a dramatic heroine. In the end, he’s swayed by ‘Edinburgh derangement syndrome’ as he calls it. ‘You’re diagnosed

Sir Keir was in control. Kemi was at sea. And she misspoke by accident, saying ‘experience’ when she meant ‘expensive’.

The Curious Case of Benjamin Button carries a strap-line, ‘an unordinary musical’. Perhaps the word ‘extraordinary’ is simply too banal to capture the outstanding qualities of this unique show. The year is 1918 and a miraculous birth occurs in a remote Cornish fishing village. The newborn is not a baby but an adult pensioner, Benjamin,