Louise Levene is a journalist and dance critic who focuses on the local dance scene in London, United Kingdom. Her articles, featured in the Financial Times and The Spectator, provide insightful reviews and analysis of ballet performances, highlighting the virtuosity, creativity, and emotional depth of the dancers and choreographers.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
London, United Kingdom (Local)
Not enough data
Louise Levene's coverage primarily revolves around providing reviews and expert commentary on ballet and dance performances, with a specific focus on the United Kingdom, particularly London. If you are involved in the ballet or dance industry in London or have insights into specific performances, reaching out to Louise for potential reviews or expert commentary could be beneficial.
Given her extensive coverage of local ballet and dance events, individuals and organizations within these sectors may find opportunities to share their expertise or provide access to exclusive events for review. If you have unique insights into milestone birthdays of prominent figures in the UK ballet scene or significant developments in artistry within this field, it might be worth sharing them with Louise.
This information evolves through artificial intelligence and human feedback. Improve this profile .
By: Louise Levene
Royal Ballet dancers cope brilliantly with the demands of Kristen McNally’s piece
By: Louise Levene
The London theatre also hosted the launch of the revived London City Ballet under Christopher Marney
The choreographer rethinks the classic ballet at London’s Southbank Centre with a handful of dancers and a jazz score
By: Louise Levene
Ambitious project staged at Sadler’s Wells features the work of eight choreographers
By: Louise Levene
Louise Levene, expert at probate research firm Finders International, says advisers and legal professionals will need to guide clients through a new hurdle due to the knock-on effect of UK-listed shares having been acquired by US multinationals, causing headaches for executors and families facing new procedures.
By: Louise Levene
Wayne McGregor’s adaptation of Margaret Atwood’s post-apocalyptic trilogy is superbly danced
Matthew Bourne’s spellbinding production has travelled the world, won a string of awards and is still airborne 30 years on
London’s seasonal staple includes some breathtaking moments
Circa’s jolly spectacle brings tumbling, trapeze and a 20ft human column to the Royal Festival Hall, London
By: Sarah Hemming, Louise Levene
Cate Blanchett on the London stage, Sondheim’s swan song and a ballet of the life of Mary, Queen of Scots
(833) 317-6278 
