Margaret Talbot is a staff writer for The New Yorker, focusing on a wide range of topics including politics, culture, and social issues. Her work has also been featured on the Analytics on Fire Podcast, where she discusses data analytics and its impact on society. Margaret's articles are known for their insightful analysis and compelling storytelling.
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United States (National)
Margaret Talbot's coverage focuses on entertainment news, government & politics, and culture & society with a strong emphasis on opinion editorial pieces. She would likely be interested in pitches that offer expert commentary or unique perspectives related to these areas.
Given her interest in book reviews and art, she may also respond well to pitches offering insights from authors or artists with a compelling story or perspective. Additionally, given the focus on gender and comedy topics, she may find value in pitches addressing social issues related to these themes or offering humorous takes on current events.
As Margaret has a national (United States) geographic focus, relevant local angles for stories within the United States could enhance the appeal of your pitch.
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Letters respond to Kathryn Schulz's piece about space weather and Jay Caspian Kang's article about Elizabeth Hoover.
By: Patricia Marx, Jessica Winter, Margaret Talbot, Inkoo Kang, Joshua Rothman
The Netflix adaptation of Liu Cixin’s trilogy mixes heady theoretical questions with genuine spectacle and heart.
Phyllis Hattis and William Rubin preferred living separately for the first twenty-four years of their twenty-six-year courtship. Hattis was an art adviser.
Limited-time offer. When The New Yorker débuted a weekly crossword puzzle , back in 2018, we hoped that it would give our readers an outlet
By: Margaret Talbot, Joshua Rothman, Gerald Marzorati, Patricia Marx, Jessica Winter
Evert-Navratilova, Borg-McEnroe, Federer-Nadal . . . Sinner-Alcaraz?
Adam Gopnik considers how Hitler came to power, and what it tells us about the 2024 election. Plus, rewriting “Huckleberry Finn” from the point of view of Jim.
By: Jessica Winter, Margaret Talbot, Joshua Rothman, Helen Shaw, Patricia Marx
A director of the modern uncanny steers the first Broadway production of Chekhov’s masterpiece in twenty years.
Skip to main content Limited-time offer. Your story “ Allah Have Mercy ” involves an uneven battle between a twelve-year-old Muslim
By: Patricia Marx, Joshua Rothman, Margaret Talbot, Deborah Treisman, Jessica Winter
The author reads his story from the April 1, 2024, issue of the magazine.
By: Joshua Rothman, Jessica Winter, Françoise Mouly, Margaret Talbot, Patricia Marx, Mark Ulriksen
The artist depicts the tail-wagging occasion of the first signs of spring.
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