Margaret Talbot is a staff writer at The New Yorker. She covers a range of topics including cultural history, social movements, politics, and the film industry, often exploring the intersections of these themes within the context of pop culture. Talbot's work has been featured in the Analytics on Fire Podcast, Magzter, and The New Yorker.
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Margaret Talbot's coverage focuses on entertainment news, government & politics, and culture & society with a strong emphasis on opinion editorial pieces. She would likely be interested in pitches that offer expert commentary or unique perspectives related to these areas.
Given her interest in book reviews and art, she may also respond well to pitches offering insights from authors or artists with a compelling story or perspective. Additionally, given the focus on gender and comedy topics, she may find value in pitches addressing social issues related to these themes or offering humorous takes on current events.
As Margaret has a national (United States) geographic focus, relevant local angles for stories within the United States could enhance the appeal of your pitch.
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The mayoral candidate and social-media whiz hit the bleachers at the U.S. Open for a new kind of social-media gambit: the fan meetup.
Members of Congress went back to their districts for the summer, and they discovered that being at home is just as hard as being in Washington.
By: Susan B. Glasser, Margaret Talbot, John Cassidy, Joshua Yaffa, Shannon Sims, Ruth Marcus, Benjamin Wallace-Wells, E. Tammy Kim
Notes from the longest, cringiest Trump Cabinet meeting yet.
By: Jeanie Riess, Margaret Talbot, Louis Menand, Jon Allsop, Adam Gopnik, Jill Lepore, Daniel A. Gross, Benjamin Wallace-Wells, John Cassidy, Nicholas Lemann, Daniel Immerwahr, Fergus Mcintosh
Twenty years ago, the storm showed how few resources a city built on extraction had.
By: Jennifer Wilson, Cristian Farias, Isaac Chotiner, Ruth Marcus, Dhruv Khullar, Jessica Winter, Peter Slevin, Margaret Talbot, Jeannie Suk Gersen, Jonathan Blitzer, Joshua Yaffa
Missouri voters approved a measure to protect abortion rights, but opponents have repeatedly blocked it from taking effect.
His new film, “Sentimental Value,” is another intimate character study set in the Norwegian capital. His approach to directing is as empathic as his films.
| Joachim Trier's approach to directing is as empathic as his films. - BY MARGARET TALBOT
Even in cases like Luigi Mangione’s, the intentions of assassins are dwarfed by the meanings we project onto them.
By: Margaret Talbot
“The Mystery of the Political Assassin: Even in cases like Luigi Mangione’s, the intentions of assassins are dwarfed by the meanings we project onto them.”
The Chief Justice insists that his Supreme Court isn't biased even as it keeps making dramatic leaps rightward.
