Matt Dunn is a music journalist with a PhD from the University of Rhode Island Graduate School of Oceanography. He focuses his writing on topics related to coastal PFAS dynamics and the latest developments in guitar pedals and effects. As the Tech Editor at Ultimate-Guitar, Dunn's articles explore the intersection of music technology and the cultural impact of iconic albums and guitar gear.
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Matt Dunn's focus on music, particularly punk rock and guitar gear, suggests he would be most receptive to pitches that offer expert commentary or event coverage related to these topics. If you have in-depth knowledge of punk rock history, guitar gear technology, or insights into the influence of specific albums or artists on musical genres, Matt may find your pitch relevant.
Given his interest in guitar gear and musicianship techniques, providing insights from experienced musicians or industry experts could be valuable for reaching out effectively. It's important to note that Matt does not seem to have a specific geographic focus but appears open to covering international music-related content.
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It may seem like an easy question to answer, but the truth is, nothing is reasonable.
By: Matt Dunn
If you want true transparent overdrive, these pedals should take precedence over the next Klon clone.
We detail a few of my favorite vintage guitars and guitar players from punk rock history.
There's a perfectly reasonable explanation for why everyone still loves Strats and Les Pauls.
By: Matt Dunn
Want to spice up your next partscaster build or guitar upgrade?
It's time to reflect on another year full of guitar gear reviews here at Ultimate Guitar.
By: Matt Dunn
20 years later, 'How To Dismantle an Atomic Bomb' stands as U2's signature late-career album.
By: Matt Dunn
Many things that feel normal today would be strange if explained to me when I was an 18-year-old guitar enthusiast.
By: Matt Dunn
It's well established that the recording industry isn't what it used to be, but is this new trend here to stay?
By: Matt Dunn
UG Exclusive: 'When I profiled my first Marshall, it sounded identical.'
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