Maura Hogan is an editor for The Post and Courier, a newspaper based in Charleston, South Carolina. With a focus on local news and culture, Maura's articles cover a range of topics including arts and entertainment, community events, and profiles of notable individuals in the area. Her work has also been featured in The Times and Democrat.
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Charleston, United States (Local)
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Maura Hogan's coverage primarily focuses on arts, culture, and entertainment news in Charleston. She frequently covers local events and provides reviews, profiles, and expert commentary related to theater, literature, music, and other cultural topics.
If you have a unique perspective or expertise within the arts and culture scene in Charleston or insights into local events and performances, Maura would likely be interested in hearing from you. Consider offering her exclusive access to behind-the-scenes details or interviews with prominent figures within the local art community.
Given Maura's focus on event coverage and review pieces related to theater productions, literature-based exhibits as well as musical performances in South Carolina specifically Charleston area could be of particular interest to her.
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“The Lehman Trilogy,” in its SC premiere, comes to Charleston in a Pure Theatre production. It runs through Feb. 10 at Cannon Street Arts Center.
By: Maura Hogan
My 'tween daughter and I recently fired up the cult classic ahead of the new PG-13 version now playing in theaters. We also plan to see the staged production in North Charleston.
By: Maura Hogan
Raised and now back living in the Columbia area, the author’s name is hitting shelves and online carts around the country in bright yellow type on the cover and spine of “Redwood Court,” the published poet’s debut novel.
By: Maura Hogan
Oscar Rivers Jr., honorary Charleston-born and based jazz pianist and saxophonist, has for decades enthralled crowds in the Lowcountry and well beyond.
By: Maura Hogan
It was a watershed event. Pardon the pun, but when Urinetown first hit the Broadway stage in 2001, it, well, opened the theatrical floodgates for a host of others to subvert the musical theater form. Think Avenue Q or The Book of Mormon. The wordplay-averse should be warned: It’s near impossible to resist it when […]
Hold onto your shrapnel helmets. The Village Repertory Company has unleashed a bracing look at World War I in Journey’s End, the 1928 dramatic work by R.C. Sherriff offering an intimate vantage on the horrors of the first Great War.
By: Maura Hogan
A young girl trapped in an endless sleep emerges from an orange-glowing, poppy-growing orb. An amiable crow sports some fine upper-body plumage and serious pipes. A party-hardy billionaire itches to zip to the moon. A supersize stuffed bunny gets its moment in the spotlight, too. All this and more converged on the stage of the […]
If there is just one takeaway from an epic poem — and a cogent new play concerning one — it’s the unbearable lightness of a republic. Such is the thrust of “The Song of Rome,” which will likely send a Sisyphean shudder through anyone invested in the fate of democracy. And, on the Dock Street […]
By: Maura Hogan
A hand-wringing, emo-prone young man is harangued by the ghost of his father to avenge his murder. The rub? Said son is so addled by overthinking he just can’t seem to check the dreadful deed off his to-do list. If this sounds like the basis of one of the Western world’s most well-known tragic theatrical […]
It might seem incongruous to coax comedy from the Jim Crow-era South. Decades after gaining their freedom, Black Americans continued to confront seemingly insurmountable inequities. In so many ways, life on the plantation abided with all its inequities.
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