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Natalia Keogan's focus is on the film and documentary industry, with a significant emphasis on announcements. Her coverage indicates a preference for exclusive content and expert commentary, suggesting she may be open to pitches providing unique access or insights into the film industry.
Given her focus on announcements and exclusives, Natalia would likely welcome pitches that offer behind-the-scenes details of upcoming films, documentaries, or related events. Additionally, she might be interested in interviews with industry experts who can provide valuable perspectives on trends within the film and documentary sectors.
While Natalia does not appear to have a specific geographic focus, her coverage primarily encompasses entertainment news from various locations without a particular regional bias.
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By: Natalia Keogan
The 55th edition of New Directors/New Films, the annual showcase of rising cinematic talent co-presented by Film at Lincoln Center and MoMA, will run April 8-19. Opening the festival is Adrian Chiarella’s queer horror film Leviticus, and other standouts include John Early’s brilliant bulimia comedy Maddie’s Secret, Kevin Walker and Jack Auen’s hypnotic hybrid Chronovisor, and Giulio Bertelli’s Agon, winner of the FIPRESCI Prize at Venice Critics’ Week.
By: Natalia Keogan
The drug-fueled sketch fest won't sit well with everyone, despite having a few tasty toppings here and there. There's an art to the stoner comedy.
The drug-fueled sketch fest won't sit well with everyone, despite having a few tasty toppings here and there. There's an art to the stoner comedy.
Filmmaker shares the trailer premiere of Italian director Francesco Sossai’s sophomore feature The Last One for the Road.
When the UPS Teamsters—the largest bargaining unit in the country at 340,000 strong—were negotiating their 2023 contract, it became increasingly clear that management wasn’t looking to ameliorate legitimate workplace woes. Drivers were delivering packages in deadly heat with no air conditioning; part-time employees, the majority of UPS’ workforce, have been unable to receive benefits; and, as is true across the country, wages aren’t rising at the same rate as the cost of living.
By: Natalia Keogan
Returning for its third annual edition, the Los Angeles Festival of Movies boasts a lineup of critical darlings from other festivals, newly-restored global cinema, and even the odd world premiere. Co-founded by Sarah Winshall, producer behind indie gems like I Saw the TV Glow and Good One
By: Natalia Keogan
Anne Hathaway and Michaela Coel duel in this elegant pop-star freakout. David Lowery's films tend to have a flair for the fantastical.
By: Natalia Keogan
Anne Hathaway and Michaela Coel duel in this elegant pop-star freakout. David Lowery's films tend to have a flair for the fantastical.
By: Natalia Keogan
Crumpled dollar bills, sweaty amber beer bottles, a walnut-grip revolver. There's a timelessness to the Americana in Carolina Caroline , the latest from director Adam Carter Rehmeier.
By: Natalia Keogan
Three women (including Angelina Jolie) intersect in the Parisian fashion industry, but the threads holding the story together come a bit loose.
