Marshall Shaffer

Milagros Mumenthaler discusses 'The Currents' and why unlocking physicality was so crucial to understanding her main character's psychology.

Questlove's HBO Max documentary has the songs, the admirers, and the history, but struggles to turn Earth, Wind & Fire's story into the richer reappraisal the band deserves.

David Koepp discusses his work with Spielberg and what he hopes that audiences will take from 'Disclosure Day.'

Michael Sarnoski's death-haunted Robin Hood drama has striking images and flashes of brutality, but Hugh Jackman's aging outlaw is trapped in a story too vague to fully move.

Rob Burnett's death-driven dramedy is at its best when skewering the industry built around actors' insecurities.

On paper, Alison Brie 's Elise functions as the protagonist of “The Revisionist.” This frustrated novelist, wife, and mother runs low on inspiration

Michael Gallagher's Heaven's Gate drama has plenty of stylistic ambition, but little sense of the human mystery behind the cult's rise and fall.

Zach Woods' first feature occasionally shows its seams, but Susan Sarandon's weary, wise performance gives this intergenerational dramedy its emotional center.

Women in Saudi Arabia were not allowed to obtain identification documents until 2001. They could be forced into marriages until 2005.

The Aussie director discusses why horror was the right vessel for his commentary.