Natalie Patrick is a writer for EARMILK, a music publication that focuses on showcasing emerging artists and providing in-depth coverage of various genres. Natalie's articles highlight new releases, premieres, and interviews with musicians, offering readers a diverse range of music to discover and explore. Her work has also been featured in Hype Magazine and Mixtape Madness.
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Natalie’s coverage mainly revolves around entertainment news, with a strong focus on music releases and announcements. She seems to be inclined towards covering new albums, songs, and artist spotlights.
Given the high percentage of private sector announcements in her coverage attributes, she is likely interested in exclusive content such as premieres or first looks at upcoming music releases. If you represent artists or labels with unreleased material looking for promotion, Natalie could be an excellent contact.
Since she covers gaming to a significant extent as well, if you have announcements related to the intersection of music and gaming (such as soundtracks for video games), it might pique her interest.
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The Rolling People released a new single “Reign”
Sophia Bavishi drops her catchy new single, “In the Woods”
By: Natalie Patrick
In a call for the world to rediscover understanding, empathy, and compassion this Christmas, Ooberfuse teams up with Bethlehem artist Lina Sleibi
Athena Lim returns with her spellbinding second single, ‘Madrid’
North Carolina's Stray Owls , led by experimental mastermind Nick DeVan, is back with “Scapegoats,” a genre-blurring single that gives listeners a
Shweta Harve’s “Why So Busy?” is a wake-p Call in a melody
Charlie Diamond released his newest track, “Joni Mitchell’s Road To L.A.”
M’IL shares french rap with ‘The Grand Massilia Hotel’
By: Natalie Patrick
Igor Yakovenko has created a new Promenade album to celebrate 150 years since Modest Mussorgsky's famous work, Pictures at an Exhibition.
Sarantos presents an evocative exploration of personal adversity through his latest single, “God Doesn't Make Mistakes.” This ballad serves as a
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