Nazlan Ertan is a Writer at ALMonitor City Pulse Istanbul. She focuses on Fine Art, Urban Art & Street Art, as well as Cultural Movements and Arts & Crafts, exploring the intersections of creativity and society. Nazlan's work has been featured in Al-Monitor.
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Turkiye (National)
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Nazlan Ertan's coverage predominantly focuses on government announcement, evolving stories, and legal policy regulation with a strong emphasis on political issues in Turkey. She covers topics related to Turkish politics and LGBTQ rights extensively.
When reaching out to Nazlan, it would be beneficial to provide insights or commentary from experts familiar with Turkish politics and the legal landscape within the country. Additionally, sources who can offer unique perspectives on evolving political situations or social issues in Turkey would likely capture her attention.
Given her focus on Turkey and LGBTQ rights, discussing these specific areas when pitching ideas will likely yield more successful results.
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非裔土耳其人经常被误认为是自己土地上的游客，他们利用仪式、艺术和口述历史来确立自己在土耳其历史中的地位。
As Ankara celebrates the cultural diplomacy that returned Roman bronzes and Ottoman manuscripts, critics warn that the same government risks eroding heritage at home.
Turkish theater’s biggest night became a flashpoint for the country's polarized arts scene when an actress triggered outrage by praising State Theaters Director Tamer Karadagli.
Turkey's 17th century Halki Seminary is once again at the center of quiet diplomacy.
The Gaza Biennale — Istanbul Pavillion, themed “A Cloud in My Hand,” reflects Gaza artists’ quest for survival as well as their hopes for a postconflict homeland.
By: Nazlan Ertan
In works that stretch from refugee allegories to a digital Narcissus, Gazi Sansoy renders Turkey’s contradictions with wit and empathy.
By: Nazlan Ertan
The football scandal expanded after the Turkish Football Federation's suspension of referees and assistants amid a nationwide betting probe.
A new generation of young artists in Istanbul is transforming traditional Turkish arts — from miniature to tile — into sharp contemporary tools for exploring dystopia, environmental anxiety and social fragmentation.
In solo exhibition “'70-,” Istanbul-born artist Ipek Duben opens the files she once kept to herself, tracing the foundations of a five-decade career shaped by identity, power, gender and belonging.
From the Marmaray underpasses to the erased slogans in Gezi Park, Irem Guler has spent two decades documenting Turkey’s graffiti and street art, tracing how it is made, claimed and erased.
