Neil Genzlinger is a journalist at The New York Times. He covers a range of topics including music, theater, books, and television, often reflecting on themes of remembrance and cultural significance. Neil's work has also been featured in the Chicago Tribune Media Group and The Spokesman-Review.
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Neil Genzlinger's articles focus mainly on profile features, breaking news, and expert commentary within the entertainment industry. The topics covered include deaths, careers in the entertainment industry, theater, and automotive fields.
When reaching out to Neil with pitches or expertise for his articles, consider offering insights related to profiles of individuals in the entertainment industry or relevant breaking news. Additionally, if you have expert knowledge about notable figures in film, television, music or theatre who have passed away recently or made a significant impact on their respective industries during their careers; such insights could be valuable for his coverage.
Given that Neil does not specify a geographic focus but covers international personalities from various fields of entertainment and beyond (e.g., politics), providing diverse perspectives would likely resonate well with him.
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She worked with the Maysles brothers on the groundbreaking film about two Long Island recluses, and she later shared an Emmy for a mini-series about Ben Franklin.
By: Neil Genzlinger
She wrote whimsical tales about the little things in a child’s life. “A House Is a House for Me” won a National Book Award.
By: Neil Genzlinger
A longtime professor at Harvard, he lectured on atom bombs, genetics and more, examining how science, culture and politics influence one another.
By: Neil Genzlinger
After putting her career on hold to raise children, she won the part of the madam in “The Best Little Whorehouse in Texas” — and then a statuette hailing her performance.
By: Neil Genzlinger
He turbocharged high-end vehicles for Alfa Romeo, Chevrolet and others, and in 1988 a Corvette he had modified reached over 254 miles per hour, breaking a record.
By: Neil Genzlinger
While his cousin Jimmy was in the White House, his job was to make the Oval Office less imperial. Staffers called him “Cousin Cheap.”
By: Neil Genzlinger
He is credited with stabilizing that venerable British troupe while energizing it with ambitious projects including “Matilda the Musical.”
Two albums in the early 1970s went largely unnoticed in the United States, but not overseas. Then came the 2012 documentary “Searching for Sugar Man.”
On Michigan television and then on national shows, she showed viewers how to make all sorts of decorative and practical items. The responses she got could be moving.
She had success on Broadway in “110 in the Shade” and other shows, but a later generation knew her from a sitcom.
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