Nicole Sperling is a reporter at The New York Times. She covers Hollywood and streaming, with a focus on media, movies, and the evolving landscape of entertainment, including Netflix and documentaries. Nicole has been featured in prominent outlets such as Vanity Fair, Yahoo News, and The Sydney Morning Herald.
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Los Angeles, United States (Local)
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Nicole Sperling's coverage revolves around the entertainment industry, with a focus on Hollywood, film, television, and business-related topics. She tends to cover evolving stories and events in these areas. To effectively reach out to her, consider offering unique insights into ongoing developments within the entertainment industry or exclusive access to key figures in Hollywood.
Given Nicole's national geographic focus on the United States and her strong emphasis on press releases and government announcements, she may be interested in pitches related to major industry shifts or policy changes affecting the US entertainment landscape.
When reaching out to Nicole Sperling, it would be beneficial to highlight any exclusivity of information that can contribute significantly to ongoing narratives within the entertainment sector.
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By: Nicole Sperling, Maureen Lee Lenker Thu
The Oscar-nominated actress was known for her collaborations with her late husband John Cassavetes, and also starred in her children's films.
By: Nicole Sperling
The films partly reflect the business realities of Hollywood, which is still grappling with the aftereffects of the writers’ and actors’ strikes last year.
By: Nicole Sperling
The director Michael Gracey hopes Americans will finally get the British hitmaker, who’s depicted warts, fur and all in “Better Man,” debuting at the Telluride Film Festival.
By: Nicole Sperling
A documentary made with Legos and a biopic starring a CGI monkey showed alongside films about abortion restrictions and other subjects in the news.
By: Nicole Sperling
When young, she questioned whether people were her friends because they liked her, or because they liked her father Bono
The network is again financing and releasing documentary series and films after backing away from the genre two years ago.
The bleak musical drama is on track to open to around $45 million, less than half of what the 2019 version made on its first weekend.
By: Nicole Sperling
The toymaker has found success in fictional films. But with “Piece by Piece,” about the life of Mr. Williams, it has gotten into a new genre.
By: Nicole Sperling
The tech giant has been increasing live programming on its streaming service, but this will be its first test with news
By: Nicole Sperling
The additions helped lift revenue to $9.8 billion during the period, a 15 percent increase from the same period last year
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