Noor Anand Chawla

In abusive dynamics, the most dangerous distortion is not always the harm itself, but the story told around it. When perpetrators deny, deflect, and recast them

In abusive dynamics, the most dangerous distortion is not always the harm itself, but the story told around it.

Discover how Indian artists like Smriti Dixit, Plasticvalla, and Mukesh Sharma transform discarded textiles, plastic waste, e-waste and invasive wood into powerful artworks that spotlight sustainability, climate change, recycling and India’s long tradition of upcycling.

As a gay Pakistani artist in NYC, Salman Toor paints the world he’s from, the world he sees and the world that may never truly be his own, often all at once, says Jonathan Avinash Victor

As the curtains rise on Rebel Ranis, Kaikeyi, Draupadi, Karaikal Ammaiyar, and Sita—all women drawn from some of the world’s most enduring scriptures—sit togeth

As the curtains rise on Rebel Ranis, Kaikeyi, Draupadi, Karaikal Ammaiyar, and Sita—all women drawn from some of the world's most enduring scriptures—sit

In Himmat Shah's work, be it his terracotta heads or the collages he builds only to destroy, he seeks one thing: To know if art can be freed from artwork

In Himmat Shah’s work, be it his terracotta heads or the collages he builds only to destroy, he seeks one thing: To know if art can be freed from artwork

Lubna Chowdhary's works hide cityscapes, dual identities and colonial histories within them. Even the materials are odd pairings that somehow work

Lubna Chowdhary’s works hide cityscapes, dual identities and colonial histories within them. Even the materials are odd pairings that somehow work