Owen Gleiberman is the Chief Film Critic at Variety. He covers a wide range of topics within the arts and entertainment realm, focusing on film industry insights, filmmaking, animation, and the intersection of pop culture with societal trends. Owen's work has been featured in prominent outlets such as Yahoo News, Toronto Sun, and Chicago Tribune, among others.
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Owen Gleiberman's coverage primarily consists of film reviews, with a specific focus on analyzing and critiquing movies. Given the nature of his work, he would likely be interested in engaging with industry professionals who can provide unique insights into the filmmaking process, behind-the-scenes stories about specific movies or actors, or offer perspectives that add depth to movie critiques.
Considering Owen’s extensive focus on reviewing films and discussing entertainment news and gaming to a lesser extent, experts who can provide thoughtful analysis, historical context or insider knowledge related to these subjects may catch his attention.
Given that there is no specified geographic focus for his work, pitches should aim to appeal to an international audience as opposed to any particular region.
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But chasing the next high won't save movies as a popular art form.
By: Owen Gleiberman
Anne Hathaway and Ewan McGregor are the parents in a 1982 suburb overrun by dinosaurs in David Robert Mitchell's shamelessly fun thriller.
By: Owen Gleiberman
Initially shelved by its studio, it's a nostalgic lark that deserves to be seen. But next to the cartoons it pays homage to, it feels presentable and tame.
By: Owen Gleiberman
Cox himself plays a mysterious old man who shows up in an 1890 border town. It's another punk-absurdist Sunday-school lesson from the maker of "Sid and Nancy" and "Repo Man" — a director who should have been great.
By: Owen Gleiberman
Holed up in Amsterdam, Tom Six talks about what's really making him sick.
By: Owen Gleiberman
Out to avenge the murder of his shipping-tycoon boss, Statham's ruthless bodyguard turns mano-a-mano combat into blithe execution.
By: Owen Gleiberman
The directors of "Bad Moms" satirize the New Age elitism of wellness culture, but they're working in a form that's running out of gas.
Why does everyone love Spider-Man so much? When “Spider-Man: No Way Home” came out at the end of 2021, it made an insane amount of money ($814
Movie genres wax and wane over time in a way that can be borderline imperceptible. The Western did its slow fade through the 1960s, but it took a
By: Owen Gleiberman
John Boorman admits that his "Exorcist" sequel is one of the most infamous debacles of the '70s. But he still doesn't seem to know why.
