Romey Norton

By Romey Norton - July 9 Before reboots were a business model, Little House on the Prairie quietly became one of television's most beloved staples.

Sam Hayes' POOLS is a deep and reflective take on the coming-of-age genre.

One of the best female lead series I’ve seen in a long time. With sharp humour, entertaining mayhem, stylish locations, and two immensely watchable performers, Ride or Die is the must-watch series!

This is the kind of filmmaking that reminds us why cinemas exist. It's immersive, emotionally rich, technically astonishing, and unapologetically ambitious. Christopher Nolan continues to push cinema forward while honouring everything that makes the medium special. The Odyssey is the best film of the year.

A TOXIC LOVE STORY is not what you think.

As superhero films continue to evolve, this is exactly the kind of heartfelt storytelling that reminds audiences why Spider-Man remains one of cinema's greatest heroes.

The direction is measured, the interviews are affecting, and the storytelling is consistently engaging across all three episodes. Rather than chasing shock value, it explores how an entire community attempted to comprehend an act of violence that seemed impossible to understand. By the end, you'll either be left with a feeling of justice or the feeling that there's still a missing piece. I felt sadness for the lives interrupted and admiration for the resilience shown by those left behind. That emotional honesty gives the documentary a lasting impact.

HADESTOWN: THE MUSICAL is as close as we can get to the live experience of musical theatre

FIND YOUR FRIENDS is an imperfect but undeniably distinctive debut.

ROADS OF FIRE puts faces and names to the struggle of immigration.