Paramita Ghosh is a Deputy Editor at The New Indian Express. She writes on a diverse range of topics, including books, popular culture, and politics, with a particular focus on authors and publishing houses. Paramita's work has been featured in Indulge Express, The New Indian Express, and MSN.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
India (National)
Not enough data
Paramita Ghosh's focus is primarily on entertainment news and culture & society, with a significant emphasis on expert commentary. She covers a wide array of topics related to art, culture, history, politics, and literature. To effectively reach out to Paramita with article pitches or sources for expert commentary, consider offering insights into local cultural events in India (particularly Tamil Nadu and Chennai), discussions around societal issues such as feminism or urban living specific to the region.
Sources with expertise in Indian arts and cinema would likely be well-received by Paramita given her coverage themes. Additionally, experts who can provide unique perspectives on the intersection of various topics mentioned in her articles will likely capture her interest.
Given that she has an extensive focus on local events within India but also delves into broader societal issues globally from time to time based on her coverage attributes; it’s essential to tailor pitches accordingly while keeping a strong emphasis on providing localized insights when relevant.
This information evolves through artificial intelligence and human feedback. Improve this profile .
Singer Daler Mehndi, Rasmus Abildgaard Kristensen, Ambassador of Denmark, Keiichi Ono, Ambassador of Japan, dancer Sonal Mansingh, Nivritti Kumari Mewar and Pra
By: Paramita Ghosh
In the ’80s, Kundan Shah captured the Mumbai builder-politician nexus with spoof and satire in his cult comedy Jaane Bhi Do Yaaron. Dibakar Banerjee gave Delhi
Delhi's bazaars are full of mangoes from all over right now. Safeda from the South, Alphonso from Maharashtra, and the Kesar and Sindoora varieties are also making an appearance.
By: Tejal Sinha, Shruthi Hm, Mahima Nagaraju, Paramita Ghosh, Reshmi Chakravorty, Rakshitha Priya
Photographer, mentor, legend — Raghu Rai showed us that photography could be both a pursuit of truth and high art.
From spring to summer, the sun bleaches what it finds on the streets, in the buildings, and in the desert of Rajasthan's Thar, leaving behind on
From spring to summer, the sun bleaches what it finds on the streets, in the buildings, and in the desert of Rajasthan’s Thar, leaving behind on its heat-licked
To some French, love is being struck by a thunderbolt. An element of risk, the unsettling of the heart, a sudden recognition of the familiar in the unfamiliar –
To some French, love is being struck by a thunderbolt. An element of risk, the unsettling of the heart, a sudden recognition of the familiar in the unfamiliar – it is all these things and more.
By: Paramita Ghosh
To some French, love is being struck by a thunderbolt. An element of risk, the unsettling of the heart, a sudden recognition of the familiar in the unfamiliar –
Few auteurs would allow another camera so close to their face while their own camera was on, but Satyajit Ray and Nemai Ghosh clearly had, as they say, ‘an understanding'. Ghosh's camera trailed Ray not only when he was filming but also when he was thinking; when Ray was the subject of a documentary; when his actors, such as Smita Patil, shot him smoking his pipe with their cameras to keep a memento from Sadgati, her Ray film; and even when Ray was taking a walk on his balcony at home after his health took a hit in the 1990s. Ghosh had access, pure and simple.
