Patrick Marmion is a journalist who writes for MailOnline, focusing on theater and entertainment reviews. With a keen eye for detail and a knack for capturing the essence of a performance, Patrick delivers insightful and engaging critiques that offer readers a glimpse into the world of stage and screen.
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United Kingdom (National)
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Patrick Marmion specializes in providing reviews and expert commentary on theater productions, with a focus on the United Kingdom. If you have insights into the theater industry or specific plays, especially those being performed in the UK, he may be interested in receiving pitches related to new productions, noteworthy performances, or trends within the industry.
Given his expertise and frequent coverage of theatrical events, consider offering him access to interviews with key figures involved in notable productions or experts who can provide unique perspectives on developments within the theater world.
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Shifters, the bittersweet romcom by female playwright Benedict Lombe first seen at the powerhouse Bush Theatre in West London, has now transferred to the West End.
Sir Alan Ayckbourn is surely the Sir Geoffrey Boycott of British Theatre.
Change is afoot at Watford's Palace Theatre thanks to their grandly titled new CEO and Director of Programming Steve Marmion.
By: Patrick Marmion
PATRICK MARMION: The set-up of the two men waiting in vain for the arrival of a legendary saviour called Godot is notorious.
PATRICK MARMION: Best-selling children's author and Second World War fighter pilot Roald Dahl is the latest historical figure to be put in the dock of public opinion.
You might expect a play about Mick Jagger and Keith Richards getting fitted up by the News Of The World in a 1960s drugs bust to centre on the Stones's front man and lead guitarist.
PATRICK MARMION: Felicity Kendal has a theatrical gift which keeps on giving. Age has not withered nor custom staled her infinite variety.
By: Patrick Marmion
Two eye-popping examples have landed this week alone. One stars Mark Strong and Lesley Manville, in a retelling of the father- killing, mother-loving king of Thebes, Oedipus.
PATRICK MARIMON: You don't need to be all woke to find Shakespeare's Othello uncomfortable to watch. After all, this is a play that climaxes in what can only be described as an honour killing.
Comedian Steve Coogan makes a fine fist of channelling the maniacal ghost of the late Peter Sellers in Stanley Kubrick's satire of nuclear Armageddon, Dr. Strangelove.
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