Patrick Marmion is a journalist who writes for MailOnline, focusing on theater and entertainment reviews. With a keen eye for detail and a knack for capturing the essence of a performance, Patrick delivers insightful and engaging critiques that offer readers a glimpse into the world of stage and screen.
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United Kingdom (National)
Patrick Marmion specializes in providing reviews and expert commentary on theater productions, with a focus on the United Kingdom. If you have insights into the theater industry or specific plays, especially those being performed in the UK, he may be interested in receiving pitches related to new productions, noteworthy performances, or trends within the industry.
Given his expertise and frequent coverage of theatrical events, consider offering him access to interviews with key figures involved in notable productions or experts who can provide unique perspectives on developments within the theater world.
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When Michelle Terry, the boss at Shakespeare's Globe, announced that she was going to play the Bard's disabled anti-hero Richard III, she was greeted with howls of outrage.
By: Patrick Marmion
PATRICK MARMION: Why the Royal Shakespeare Company have reopened their once-pioneering backyard theatre, with this flim-flam American-Iranian drama, I have no idea.
For strictly professional reasons, I took the plunge for the latest 'immersive experience' from Punchdrunk theatre company.
By: Patrick Marmion
PATRICK MARMION: The Royal Shakespeare Company's production is a splendidly suburban production that re-creates the sleepy serenity of middle England.
The slightly unsatisfactory title of Alice Childress's 1966 play disguises a very serious and admirably ambitious drama.
PATRICK MARMION: Forget the antique sexual politics. The only real problem with the Cole Porter musical Kiss Me Kate could be that it's just too darned packed.
The finger-zapping Star Wars malcontent Emperor Palpatine has fallen on hard times in Chichester. Very hard times.
Following his showdown over an egg salad in a chi-chi New York restaurant, James Corden has acquired a bit of a reputation.
PATRICK MARMION: Frances Hodgson Burnett's beloved children's story is subject to an audacious but charming cross-pollination project at the Regent's Park Open Air Theatre.
First staged at London's Apollo Theatre in 1984, this new outing could also be the most exhausting performance I've ever witnessed, writes PATRICK MARMION.
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