Patrick Marmion is a journalist who writes for MailOnline, focusing on theater and entertainment reviews. With a keen eye for detail and a knack for capturing the essence of a performance, Patrick delivers insightful and engaging critiques that offer readers a glimpse into the world of stage and screen.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
United Kingdom (National)
Not enough data
Patrick Marmion specializes in providing reviews and expert commentary on theater productions, with a focus on the United Kingdom. If you have insights into the theater industry or specific plays, especially those being performed in the UK, he may be interested in receiving pitches related to new productions, noteworthy performances, or trends within the industry.
Given his expertise and frequent coverage of theatrical events, consider offering him access to interviews with key figures involved in notable productions or experts who can provide unique perspectives on developments within the theater world.
This information evolves through artificial intelligence and human feedback. Improve this profile .
PATRICK MARIMON: You don't need to be all woke to find Shakespeare's Othello uncomfortable to watch. After all, this is a play that climaxes in what can only be described as an honour killing.
Comedian Steve Coogan makes a fine fist of channelling the maniacal ghost of the late Peter Sellers in Stanley Kubrick's satire of nuclear Armageddon, Dr. Strangelove.
James Powell's reboot of Richard Eyre's 2019 production, launched at London's Prince Edward Theatre, has somehow got better on the road.
PATRICK MARMION: All's Well is the sort of Shakespeare that's apt to cause moral panic among today's puritans.
Astonishingly, this is only the second time the National Theatre has staged Oscar Wilde's famously 'trivial comedy for serious people'.
You've got to feel for Sir Elton John. He's had a wretched couple of weeks. On Sunday, he shocked fans at the gala night for The Devil Wears Prada musical with news that he had lost his eyesight
The ghosts of Rex Harrison and Audrey Hepburn in the 1964 film will forever stalk the Lerner and Loewe musical My Fair Lady
And here she goes again, at London's Young Vic theatre, only this time as a seemingly downtrodden sister in a wealthy family fighting for control of an Alabama cotton plantation.
PATRICK MARIMON: Chloe Lamford's set replaces the heat of the title with an ice box set of zinc tiles, and a grand piano festooned with half-finished drinks.
By: Patrick Marmion
PATRICK MARMION: Hollywood veteran Sigourney Weaver teleported into London to make her long-overdue West End debut in a sci-fi version of The Tempest.
(833) 317-6278 
