By: Philip Oltermann
They could play seven instruments each, critics hailed them as the best jazz combo in 1920s Berlin, and the likes of Marlene Dietrich and Josephine Baker fought to secure them as their backing band.
Philip Oltermann is the Culture Editor for Europe at The Guardian. He was previously the Berlin bureau chief and has written a book titled "The Stasi Poetry Circle" published by Faber & Faber. His articles cover a range of cultural topics, including music, art, film, and literature, with a focus on European culture.
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Philip Oltermann's coverage predominantly revolves around cultural and societal developments with a significant focus on European film, art, Germany, the Israel-Hamas conflict, and the Venice Biennale. His articles also include topics related to government announcements and legal policy regulations.
Given his strong emphasis on culture & society along with government & politics themes, he is likely open to pitches offering insights into socio-political dynamics in Europe, especially those that intersect with cultural events or artistic expression. Additionally, providing perspectives on legal or regulatory changes impacting these areas would be of interest.
Considering Oltermann’s extensive coverage of evolving stories and breaking news alongside his thematic preferences for culture & society as well as government & politics topics; relevant expert commentary from individuals connected to these realms could be particularly effective when reaching out to him.
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