Rachael Harper is a Digital Content Manager at SciFiNow. She specializes in the arts and entertainment sector, with a keen focus on the film industry and filmmaking, while also exploring themes related to publishing and media. Rachael's work has been featured in Crop Production Magazine and SciFiNow.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
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Rachael's coverage predominantly revolves around entertainment news, focusing on horror and science fiction movies, fantasy novels, film adaptations, and television series. She appears to prioritize private sector announcements and reviews.
If you're reaching out to Rachael with a pitch, consider offering exclusive content related to upcoming releases or events in the horror or science fiction genres. Providing review copies of relevant materials may also capture her interest.
Given her broad focus within the entertainment industry and lack of specific geographic focus, international stories alongside local ones could be well received by Rachael.
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Richard E. Williams’ POV horror confines us to the perspective of a damaged, haunted man who cannot see the wood for the trees.
Lukas Rinker’s high-tension disaster movie traps an already divided family together in an avalanche-buried cable car.
Daniel Goldhaber’s meta remake pits a traumatised content moderator against a serial killer restaging scenes from a film for online clout.
Stewart Sparke’s gamified SF/horror places an amnesiac man in an infernal loop against a terrifying creature.
Jeremías Segovia’s noirish morality play sees three families seeking elusive satisfaction from a recently released prisoner.
Joko Anwar’s prison/genre punch-up sets inmates against each other and themselves in a horror-comedy microcosm of systemic corruption in Indonesian society.
Howard J. Ford’s high-stakes thriller suspends an OCD-afflicted researcher between corporate shenanigans and alpinist assassins.
Padraig Reynolds’ stripped-down Floridian backwoods horror confronts confused GenZers with a malevolent reptilian cult.
Christopher Smith’s eco-horror comedy leaves the viewer unsure whether to root for fatuous influencers or eight-legged freaks.
Chris Schwab’s updated, psychologised take on Stoker finds a predatory subtext lurking in the shadows of myth.
