Sean Boelman

Hirokazu Koreeda is one of the most acclaimed auteurs in modern Japanese cinema, having gifted the world such humanistic delights as Monster and

Vulgar auteur Nicolas Winding Refn hasn't made a feature film in ten years, having released two television shows — Too Old to Die Young and Copenhagen Cowboy — in the meantime.

Jane Schoenbrun's I Saw the TV Glow was a critical darling and cult classic, signaling the arrival of a talent to watch after their auspicious early work.

French absurdist filmmaker Quentin Dupieux has amassed quite a cult following in France and internationally because of his unique, quirky sense of humor.

Club Kid was easily one of the biggest surprises of the Cannes Film Festival.

Bruce Dern is a legend of the stage and screen, boasting nearly 200 completed IMDb credits, two Academy Award nominations, and having worked with some of the world's greatest directors, including Quentin Tarantino, Alexander Payne, and Alfred Hitchcock — among others.

Although the script’s empathy and a strong performance by Kyle Gallner keep Cotton Fever from being the worst addiction drama, the movie is otherwise lackluster

After her feature debut, The Graduates, was one of the highlights of Tribeca in 2023, Hannah Peterson returns to the festival in 2026 with Via Negativa.

It's always interesting to see which movie critics are going to put as “best known for” for a filmmaker who is prolific but not necessarily iconic.

There was once a time when a director's name meant something. Well, I suppose a director's name can still mean something to an extent… if it's Curry Barker or Kane Parsons.