Rachel Handler is a features writer at Vulture and New York Magazine. She covers a diverse range of topics including movies, TV, music, pop culture, and even bucatini, with a particular focus on the film industry and filmmaking. Rachel has been featured in Curbed, The Cut, Vulture, and New York Magazine, and was nominated for a James Beard Award in 2020.
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Rachel Handler's coverage primarily focuses on event coverage and evolving stories related to the entertainment industry, with a strong emphasis on film, cinema, actors, and film festivals. Given her focus on event coverage in the entertainment industry, she would be receptive to pitches related to exclusive interviews with filmmakers or actors involved in upcoming films or major events such as film festivals.
Handler's interest in evolving stories suggests that she may also respond well to pitches about trends within the film industry or emerging talents making waves at various international events.
As there is no specific geographic focus provided for Rachel Handler, it can be inferred that her work covers global entertainment news without being limited by location.
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“I have a feeling for a lot of people, especially men, the sex scenes will be like, ‘What am I looking at?’”
In a wide-ranging talk at Cannes, the actress attempted to explain the ending of Carol and what it’s like to live in her mind.
“Stop eating. Turn to that guy right there. Yes, you in the white, turn to him, tell him you care he’s carrying pain. That you love him.”
By: Rachel Handler
Havana Rose Liu and Kristine Froseth are still processing their time on the set of Nicolas Winding Refn’s first film since Neon Demon.
The actress co-founded the Displacement Film Fund, the initiative behind Mo Amer’s and Bao Nguyen’s next films.
The Mamma Mia 2 actor discusses Cher, nightmares, AI, and Diamond, his passion-project noir at Cannes.
In Zachary Wigon’s Victorian Psycho, Monroe channels Jack Nicholson and Ted Bundy.
By: Rachel Handler
The actor, who served on the Cannes jury led by Quentin Tarantino in 2004, “stands by” its choice for the festival’s highest honor.
From Meta House to Soderbergh’s doc to yacht parties, tech overran the prestigious film festival.
By: Alejandra Gularte, Rachel Handler
Meanwhile Cristian Mungiu’s Fjord wins the (real) Palme d’Or.
