The legendary jazz saxophonist, who collaborated with the likes of Miles Davis and Thelonious Monk, created a form that was thrillingly risky, impetuous, and uncertain. By the end of a six-plus-decade career, his name was synonymous with the art itself.
Richard Brody is a film critic at The New Yorker. He explores a wide range of topics in the film industry, including blockbusters, international cinema, and independent films, while also delving into the works of influential directors like Jean-Luc Godard and Wes Anderson. Brody is featured in The New Yorker and is the author of “Everything Is Cinema: The Working Life of Jean-Luc Godard.”















