Rebecca Mead is a staff writer for The New Yorker and the author of two books, "HOME/LAND" and "MY LIFE IN MIDDLEMARCH." Her articles cover a wide range of topics, including profiles of artists and celebrities, analysis of political and social issues, and exploration of cultural phenomena. With a keen eye for detail and a thoughtful approach, Rebecca brings depth and insight to her writing.
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Rebecca Mead's coverage has a strong focus on entertainment news and evolving stories, with an emphasis on government announcements. Her articles cover a wide range of topics including inequality, neighborhood improvement, dictatorship, prisoner swap, acting, comedy and marriage.
Given the diversity of topics she covers within entertainment news and evolving stories, Rebecca might be interested in pitches related to unique personal experiences or expert analysis in these areas. Consider offering interviews or commentary from individuals involved in theater, music or other forms of entertainment as well as experts who can provide insights into social issues such as inequality and neighborhood improvement that are addressed in her articles.
Since Rebecca focuses primarily on national content within the United States (US), it would be beneficial to tailor pitches to reflect this geographic focus when applicable.
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By: Charles Bethea, Nathan Heller, Naomi Fry, Alexandra Schwartz, Susan B. Glasser, Lauren Michele Jackson, Inkoo Kang, Andy Kravis, Rebecca Mead, Jia Tolentino, Vinson Cunningham, Timothy Snyder
A new documentary reveals social-media platforms’ iron grip on the lives of teen-agers, one that’s increasingly being linked to a slew of mental-health issues. How scared should we be?
In “My Good Bright Wolf,” Sarah Moss recounts a dangerous romance with self-deprivation.
Your window is closing. I used to go to games in Candlestick Park Just for a little rest, a little solitude Away from her voice so I could write
When a group of German Marxists arrived in Naples in the nineteen-twenties, they found a way of life that made them rethink modernity.
By: Mollie Cowger, Anna Shechtman, Timothy Snyder, Samanth Subramanian, Robert Sullivan, River Clegg, Inkoo Kang, H. C. Wilentz, Doreen St. Félix, Joshua Rothman, Kate Chin Park, Rebecca Mead
1990 Whit Stillman film about New York City’s “urban haute bourgeoisie”: twelve letters.
By: Susan B. Glasser, Richard Brody, Timothy Snyder, Samanth Subramanian, Robert Sullivan, River Clegg, Inkoo Kang, H. C. Wilentz, Doreen St. Félix, Joshua Rothman, Graciela Mochkofsky, Rebecca Mead, Kyle Chayka
The actress, screenwriter, and novelist’s reviews and essays from 1918-19 display a comprehensive grasp of movie art and a visionary sense of its future.
Frank Lucianna spent most of his life as a criminal-defense lawyer from New Jersey; even as he pushed a hundred, he didn't wish to retire.
By: Samanth Subramanian, Rebecca Mead, Graciela Mochkofsky, Inkoo Kang, Doreen St. Félix, Timothy Snyder, Susan B. Glasser, Kyle Chayka, David Ostow, River Clegg, H. C. Wilentz, Joshua Rothman, Robert Sullivan
“It’s not strange at all—lately, a lot of people are reporting that their faith in humanity is riding entirely on whether or not Pedro Pascal is as nice as he seems.”
Despite Angelina Jolie's passionate performance, this sensationalized story of Maria Callas's last days neglects the diva's true art.
By: Rebecca Mead, Louisa Thomas, Mollie Cowger, River Clegg, Doreen St. Félix, Margaret Talbot, Paul Karasik, Ben Goldfarb, David Remnick, Timothy Snyder, Emily Nussbaum, Henry Alford
The first transgender person elected to Congress discusses how to respond to a bathroom bill and transphobic attacks from other House members, including Speaker Mike Johnson.
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