Robbie Collin

It is normal to be bored by dreadful films, or even annoyed by them. But I don't believe I have ever felt as sorry for one as I do John Travolta 's

It is normal to be bored by dreadful films, or even annoyed by them. But I don’t believe I have ever felt as sorry for one as I do John Travolta’s directorial debut, the viewing of which is like watching a toddler walk into a lamp post.

Adam Driver and Miles Teller belong to a valuable species of movie star that Hollywood largely stopped cultivating around the turn of the century: leading men by presence, character actors by face.

If this year’s Cannes Film Festival schedule is light on blockbusters, it’s even bigger than usual on intrigue. There’s tantalising new work from esteemed auteurs like Pedro Almodóvar and James Gray (who reunites Scarlett Johansson and Adam Driver in Paper Tiger), as well as a number of unexpected match-ups and collaborations: Drive’s Nicolas Winding Refn is off to Tokyo in Her Private Hell, while married couple Michael Fassbender and Alicia Vikander will head to the South Korean wilderness in N

Disney has been trying to turn Star Wars into another Marvel-like franchise for some time, and in that respect The Mandalorian and Grogu is a roaring

If this year's Cannes Film Festival schedule is light on blockbusters , it's even bigger than usual on intrigue.

Fourteen years since Netflix started making films and television shows, the remake cycle has kicked in.

Fancy an outing to the cinema but not sure what to see? Our critics, Robbie Collin and Tim Robey, watch every film release between them, from the

It is normal to be bored by dreadful films, or even annoyed by them. But I don’t believe I have ever felt as sorry for one as I do John Travolta’s directorial debut, the viewing of which is like watch...

The new He-Man film, Masters of the Universe , might be utterly awful, but in its defence, at least it seems to know it.