Peter Howell is a Movie Critic at Toronto Star. With a focus on the film industry and filmmaking, he has been writing about film since 1996 and has a rich background as a pop critic. He has been featured in various publications including the St. Catharines Standard Group Inc, The Hamilton Spectator, and The Art Newspaper, among others.
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Toronto, Canada (Local)
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Peter Howell's coverage is heavily focused on entertainment, particularly movies and filmmakers. He frequently writes reviews and opinion pieces about the film industry, showing a keen interest in analyzing performances and evaluating cinematic releases.
If you're looking to pitch Peter Howell, consider providing insights related to upcoming movie releases or exclusive interviews with actors or directors. Additionally, if you have expertise in film critique or insider knowledge of the movie industry, your input may be valuable to him.
It's important to note that his geographic focus is primarily national (Canada), with an emphasis on Toronto. Therefore, pitches involving Canadian films or events within the Toronto entertainment scene could resonate well with him.
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By: Peter Howell
Star Jaafar Jackson is a genuine revelation in a film that fails to tell the whole story.
By: Peter Howell
Upcoming films also include "100 Sunset" and "I Love Boosters."
James Cameron and the singer herself co-directed 'Billie Eilish — Hit Me Hard and Soft: The Tour Live in 3D,' an immersive and eminently danceable document of her recent world
By: Peter Howell
This year's jury features actors Stellan Skarsgård and Demi Moore and directors Park Chan-wook and Chloé Zhao.
At a press conference, filmmaker Park Chan-wook argued that politics enriches cinema when handled well, while other festival jurors weighed in on AI’s promise and perils.
By: Peter Howell
Director Steven Soderbergh turns the musician's final audio-only interview, recorded on the day he was murdered, into a free-floating montage.
From war and moral collapse to family fracture and dementia, this year’s lineup turned inward and outward at once, with filmmakers confronting a world that rejects escapism.
By: Peter Howell
Kane Parsons brings his YouTube underworld to the big screen, but this liminal horror movie is more queasy than scary.
By: Peter Howell
Our critic examines her influence and picks her five greatest movies.
By: Peter Howell
The filmmaker's latest has been sold — make that oversold — as some kind of reality reset, a massive alien mic drop.
